Zero Theorem

So "The Zero Theorem" is a kind of existentialist fable, do you feel it's in line with your other work?
Oh certainly an "auteur" made it, though I prefer to be a "filteur"—when you are making a film ideas come and go and I get to decide which one stays.

'Zero Theorem' was more a reaction to the connected world. We all exist as part of the connection, we are a neuron in this bigger thing, can we disconnect? Can solitude be more interesting? I don’t know if people know who they are unless they spend time alone...they only know reactions, tweets etc, not actual existences. So that’s what interested me in the script, and we just started working. The film is much different than the film we started with. I like this film!

The whole experience was very different, we shot very fast. The idea of doing this film probably began in July last year, though it was a script that had been around for 5 years. I had no work, everything had collapsed, so when we got Christoph [Waltz] that was the moment when we knew the film would get made, and we started shooting October 5. Don’t think, just do.It was interesting to work like that.

"I don’t really watch movies that much, at the end of the year maybe. I think I see too many movies that are like other movies...they are copies of copies of copies, no surprises."

Why did you think of Christoph Waltz for the central role?
Well, because he’s brilliant. I met him some time ago at a BAFTA [event] or something and we said we must work together. He is such a wonderful actor, an interesting guy, just a regular working actor, and suddenly at 52 years old he becomes an international star. That is a very interesting thing to happen to somebody.

How do you disconnect?
That’s easy, nobody calls me! I don’t watch TV, except "Family Guy." I have a love affair with my computer screen, and I read. I read 3 books at once. I don’t really watch movies that much, at the end of the year maybe. I think I see too many movies that are like other movies...the films are technically brilliant, extraordinary things but they are copies of copies of copies, no surprises. Entertaining but not making me think, so I’d rather get a book.

And what's the latest on your white whale project, "The Man Who Killed Don Quixote"?
I think next week I will look for locations but it doesn’t mean it will be made. That’s [supposed to be] next September/October to shoot, and no, not the same cast. [Johnny Depp is] too old! I’m looking for the young Johnny Depp, I can’t tell you who. It’s very hard to get the money so I have to think who are the bankable actors.

.. I’m not even sure I want to make 'Don Quixote,' it’s more I want to get rid of it. It’s kind of like that, I just want to remove this tumor and then it will be done. The problem is it’s been around so long I can disappoint a lot of people. I’d love to do something else but it is like this tumor.

Do you ever regret participating with "Lost in La Mancha" in that it popularized a lot of the negative mythology around your 'Don Quixote'?
No, not really, it was just a good diary, that’s how I look at it. I can watch it and see who I was then—what an idiot! The great thing is you look at the poster and my name is ahead of Johnny Depp’s what more could I want?

 Steven Soderbergh

What do you think of comments Spielberg and George Lucas made back in June about the state of film financing?
Look, Soderbergh was right, his [complaint] was the best. For Steven and George to get involved and complain? I mean, if anybody is responsible for the state of the current systems it’s the success of their films! Soderbergh was very good and precise about this [subject]...if you make small films how do you compete with films that have a marketing budget of $80m?

And what of your other projects outside of film?
...Before coming here I was working on this opera that I was to do in the springtime...Thank God I was invited here, because a week ago I had gone mad, the problems with opera are very very complex. It’s Berlioz’s "Benvenuto Cellini."

Cellini was this great renaissance sculptor—it's a character I've always loved; the only renaissance artist to write his own biography. It’s a great book it reads like an adventure story and I love Berlioz, love his music because he’s crazy. I really identify with him...He has too many ideas, like the critics write about me!