Click to Skip Ad
Closing in...
Watch: Shailene Woodley Gets NSFW In 2 Clips From 'White Bird In A Blizzard' Plus New Pics Watch: Shailene Woodley Gets NSFW In 2 Clips From 'White Bird In A Blizzard' Plus New Pics TIFF Review: 'Cake' Starring Jennifer Aniston, Anna Kendrick, Sam Worthington & More TIFF Review: 'Cake' Starring Jennifer Aniston, Anna Kendrick, Sam Worthington & More First Look: Matthew McConaughey & Ken Watanabe In Gus Van Sant’s ‘Sea Of Trees’ First Look: Matthew McConaughey & Ken Watanabe In Gus Van Sant’s ‘Sea Of Trees’ Tom Hardy Says He'll Never Do Another Romantic Comedy Again Thanks To 'This Means War' Tom Hardy Says He'll Never Do Another Romantic Comedy Again Thanks To 'This Means War' David Fincher Apparently Thinks 'Dragon Tattoo' Sequel 'The Girl Who Played With Fire' Could Get Made David Fincher Apparently Thinks 'Dragon Tattoo' Sequel 'The Girl Who Played With Fire' Could Get Made Revisiting On The Rise: Where Are Our 2012 Picks Now? Revisiting On The Rise: Where Are Our 2012 Picks Now? Oscars: Dust Settles On The Fall Festivals With No Clear Best Picture Front-Runner (Yet) Oscars: Dust Settles On The Fall Festivals With No Clear Best Picture Front-Runner (Yet) Fall TV Preview: Our 22 Most Anticipated Shows For The Rest Of 2014 Fall TV Preview: Our 22 Most Anticipated Shows For The Rest Of 2014 Watch: NYFF Trailer Has Snippets Of ‘Inherent Vice’ Footage For Those Checking For Trailers Several Times A Day Watch: NYFF Trailer Has Snippets Of ‘Inherent Vice’ Footage For Those Checking For Trailers Several Times A Day TIFF Review: 'Still Alice' Starring Julianne Moore, Kristen Stewart, Alec Baldwin & Kate Bosworth TIFF Review: 'Still Alice' Starring Julianne Moore, Kristen Stewart, Alec Baldwin & Kate Bosworth Review: 'The Disappearance Of Eleanor Rigby: Them' Starring Jessica Chastain & James McAvoy Review: 'The Disappearance Of Eleanor Rigby: Them' Starring Jessica Chastain & James McAvoy Jason Reitman Calls ‘Labor Day’ "A Misguided Effort" Jason Reitman Calls ‘Labor Day’ "A Misguided Effort" David Fincher & James Ellroy Plotting 1950s Crime Noir Series For HBO David Fincher & James Ellroy Plotting 1950s Crime Noir Series For HBO Chris Evans On His Directorial Debut ‘Before We Go,’ Filming In New York, & ‘Avengers: Age Of Ultron’ Chris Evans On His Directorial Debut ‘Before We Go,’ Filming In New York, & ‘Avengers: Age Of Ultron’ Boardwalk Empire - Season 5 - Episode 1 Recap: “Golden Days For Boys & Girls” Boardwalk Empire - Season 5 - Episode 1 Recap: “Golden Days For Boys & Girls” The Best Documentaries Of 2014 So Far The Best Documentaries Of 2014 So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season The Best Films Of 2014 So Far... The Best Films Of 2014 So Far... The 10 Best & Worst Movie Sex Scenes The 10 Best & Worst Movie Sex Scenes All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More

Michael Cimino's 'Heaven's Gate' Restored & Headed To Venice Film Festival; Criterion Collection Edition On The Way?

The Playlist By Kevin Jagernauth | The Playlist July 25, 2012 at 12:33PM

A cautionary tale and a film that stood as the symbolic end to a great era in American filmmaking, when cinema history looks back on Michael Cimino, his infamous "Heaven's Gate" will be discussed in equal measure to his masterpiece, "The Deer Hunter."
10
Heaven's Gate

A cautionary tale and a film that stood as the symbolic end to a great era in American filmmaking, when cinema history looks back on Michael Cimino, his infamous "Heaven's Gate" will be discussed in equal measure to his masterpiece, "The Deer Hunter."

To call production on "Heaven's Gate" troubled would be a massive understatement. The stories of what happened on the set of the film veer somewhere between exaggerated myth and the truth, but the bottom line is that it ran tremendously behind schedule and overbudget, with Cimino making unreasonable demands that included the tearing down and rebuilding of sets, and shooting an endless amount of footage (over 200 hours worth). As Willem Dafoe recently shared, he was called to work on the film and basically wound up sitting around for three months before getting fired and ultimately having his role reduced to that of an extra. In any event, the movie, which already had bad press, was ultimately savaged by critics and flopped hard at the box office, taking $3 million (it cost, in 2012 dollars, $122 million). The film is largely seen as the end of the '70s glory years of auteur-driven filmmaking at the major studios, and today still serves as the prime example of directorial hubris. But it will get a second chance to find new life.

The Venice Film Festival announced today that a restored version of the 219-minute cut of the film will screen on the Lido this year (where it first premiered in 1982), and even more, Cimino himself will be making a rare public appearance (and will finally put to bed those rumors he had a sex change). The curious nugget of info is that in the press release it says they will be screening a "restored copy by Criterion." Could an edition on the boutique label be far away? It looks like it. Fans at the Criterion Forum have noticed that at this year's AMIA/The Reel Thing conference in August, Criterion Collection producer Lee Kline is presenting: "Case Study – Reconstructing and Restoring Heaven’s Gate." So yeah, you can put that one together for yourself.

But that's not all Venice is having to offer with classic films this year: Orson Welles' "Chimes At Midnight," Ingmar Bergman's "Fanny & Alexander," Howard Hawks' "Gentlemen Prefer Blondes" and much more will get big screen showings. But "Heaven's Gate" will clearly be one of the most talked about. Misunderstood classic or still a grand mess? We'll see what folks say very soon.

The Venice Film Festival runs from August 29th to Septmeber 28th. Classics line up below after a trailer for "Heaven's Gate."

VENEZIA CLASSICI – Restored Films

· The Mattei Affair (Il caso Mattei, 1972)
by Francesco Rosi, Italy, 1972 (Restored by Cineteca di Bologna at the lab L’Immagine Ritrovata in collaboration with The Film Foundation, Paramount Pictures and Museo Nazionale del Cinema of Turin. Restoration financed by Gucci, Eni, and The Film Foundation)
· Heaven’s Gate (219’)
by Michael Cimino, USA, 1980 (Criterion)
· Chimes at Midnight (Campanadas a medianoche, 1965s)
by Orson Welles, Spain, 1965 (Filmoteca Española)
· Karumen kokyō ni kaeru (Carmen Comes Home, 1951)
by Kinoshita Keisuke, Japan, 1951 (Shochiku)
· Investigation of a Citizen Above Suspicion (Indagine su un cittadino al di sopra di ogni sospetto, 1970) (Sony)
by Elio Petri, Italy, 1970
· Stromboli (Stromboli Terra di Dio, 1950)
by Roberto Rossellini, Italy, 1950 (Istituto Luce Cinecittà, Cineteca di Bologna, CSC-Cineteca Nazionale, Coproduction Office)
· Tell Me Lies
by Peter Brook, UK/USA, 1968 (Fondation Technicolor pour le Patrimoine du Cinéma)
· Pigsty (Porcile, 1969)
by Pier Paolo Pasolini, Italy, 1969 (Cineteca di Bologna)
· Miracle (Himala, 1982)
by Ishmael Bernal, Philippines, 1982 (Film Development Council of Philippines, Manila)
· Anita Garibaldi (Camicie rosse, 1952)
by Goffredo Alessandrini, Italy, 1952 (Cineteca Nazionale)
· Terra animata (1967, 7’) e SKMP2 (1968, 30’)
by Luca Patella (Cineteca Nazionale)
· Sunset Boulevard
by Billy Wilder, USA, 1950, Paramount
· Fanny e Alexander (BIM)
by Ingmar Bergman, Sweden, 1982
· Gentlemen Prefer Blondes (20th Century Fox)
by Howard Hawks, USA, 1953
· The Ghost and Mrs. Muir, (20th Century Fox)
by Joseph L. Mankiewicz , USA, 1947
· South Seas Adventure (Cinerama, 1958)
by Francis D. Lvon Walter Thompson, Basil Wrangler, Richard Goldstone, Carl Dudley, USA, 120’
· To Be Twenty in the Aures (Avoir 20 ans dans le Aurès, 1972) (Cinémathèque française)
by René Vautier, France, 1972
· The Tenth Victim (La decima vittima, 1965)
by Elio Petri, Italy, 1965 (Cineteca di Bologna, Museo Nazionale del Cinema of Turin)
· American Dreams
by James Benning, USA, 1984, 53’ (FilmMuseum Vienna)

VENEZIA CLASSICI - Documentaries

· La Guerra dei vulcani
by Francesco Patierno (Italy)
· Dai nostri inviati alla Mostra di Venezia
by G. Giannotti, D. Savelli, E. Salvatori (Italy)
· Valentino’s Ghost
by Michael Singh (USA)
· Miradas Multiples
by Emilio Maillé (Messico-France-Spain)
· Harry Dean Stanton Partly Fiction
by Sophie Huber (USA-Switzerland)
· Conteurs d’images
by Noelle Deschamps (France)
· Sedia elettrica
by Monica Strambini (Italy)
· Gli anni delle immagini perdute
by Adolfo Conti (Italy)
· Monicelli. La versione di Mario
by Mario Canale, Felice Farina, Mario Gianni, Wilma Labate, Annarosa Morri (Italy)

This article is related to: The Criterion Collection, Criterion Collection, Heaven's Gate, Venice Film Festival


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.

E-Mail Updates