Click to Skip Ad
Closing in...
What Was I Watching Before? Bryan Singer Says 'X-Men: Apocalypse' Is "The True Birth Of The X-Men" What Was I Watching Before? Bryan Singer Says 'X-Men: Apocalypse' Is "The True Birth Of The X-Men" Review & Recap: 'True Detective' Season 2, Episode 3 'Maybe Tomorrow' Review & Recap: 'True Detective' Season 2, Episode 3 'Maybe Tomorrow' Zack Snyder Defends 'Man Of Steel' Finale, Ben Affleck Reveals Bruce Wayne Knew People Who Died In That Battle Zack Snyder Defends 'Man Of Steel' Finale, Ben Affleck Reveals Bruce Wayne Knew People Who Died In That Battle New Book Contends Eric Stoltz Was “Difficult” & The Cast Wasn’t Shocked He Was Replaced On ‘Back To The Future’ New Book Contends Eric Stoltz Was “Difficult” & The Cast Wasn’t Shocked He Was Replaced On ‘Back To The Future’ Watch: Scott Lang Wants To Call The Avengers In New International 'Ant-Man' Trailer Watch: Scott Lang Wants To Call The Avengers In New International 'Ant-Man' Trailer Watch: Epic New Trailer For Werner Herzog's 'Queen Of The Desert' With Nicole Kidman, Robert Pattinson, & More Watch: Epic New Trailer For Werner Herzog's 'Queen Of The Desert' With Nicole Kidman, Robert Pattinson, & More The 20 Worst Films Of 2015 So Far The 20 Worst Films Of 2015 So Far Zack Snyder Reveals The Easter Egg Idea He Pitched Christopher Nolan And David Goyer For 'Man Of Steel' Zack Snyder Reveals The Easter Egg Idea He Pitched Christopher Nolan And David Goyer For 'Man Of Steel' New Images Of Bruce Wayne, Lex Luthor, More In 'Batman v. Superman,' Ben Affleck Compares Batman To Hamlet New Images Of Bruce Wayne, Lex Luthor, More In 'Batman v. Superman,' Ben Affleck Compares Batman To Hamlet Mads Mikkelsen And Hugh Dancy Released From Their 'Hannibal' Contracts Mads Mikkelsen And Hugh Dancy Released From Their 'Hannibal' Contracts Paul Thomas Anderson To Write And Possibly Direct Warner Bros' ‘Pinocchio’ For Robert Downey Jr. Paul Thomas Anderson To Write And Possibly Direct Warner Bros' ‘Pinocchio’ For Robert Downey Jr. Watch: Michael Fassbender Plays ‘Steve Jobs’ In New Trailer For Oscar-Contender Co-Starring Kate Winslet & Seth Rogen Watch: Michael Fassbender Plays ‘Steve Jobs’ In New Trailer For Oscar-Contender Co-Starring Kate Winslet & Seth Rogen Tom Cruise Still Gearing Up For 'Top Gun 2,' Story Will Involve Drone Warfare Tom Cruise Still Gearing Up For 'Top Gun 2,' Story Will Involve Drone Warfare Watch: First Trailer For Oliver Stone’s ‘Snowden’ Starring Joseph Gordon-Levitt, Shailene Woodley & Nicolas Cage Watch: First Trailer For Oliver Stone’s ‘Snowden’ Starring Joseph Gordon-Levitt, Shailene Woodley & Nicolas Cage Review: ‘Terminator: Genisys’ Starring Arnold Schwarzenegger, Emilia Clarke, Jai Courtney & Jason Clarke Review: ‘Terminator: Genisys’ Starring Arnold Schwarzenegger, Emilia Clarke, Jai Courtney & Jason Clarke 'Thor: The Dark World' Director Alan Taylor Says His Marvel Experience Was "Particularly Wrenching" 'Thor: The Dark World' Director Alan Taylor Says His Marvel Experience Was "Particularly Wrenching" The 25 Best Animated Films Of The 21st Century So Far The 25 Best Animated Films Of The 21st Century So Far The 50 Best Films Of The Decade So Far The 50 Best Films Of The Decade So Far The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season

'Oblivion' Director Joseph Kosinski Talks In-Camera Effects, Mies Van Der Rohe & M83's Longtime Influence

The Playlist By Charlie Schmidlin | The Playlist April 16, 2013 at 7:00PM

It's difficult to determine the more nerve-wracking scenario for director Joseph Kosinski: Helming a much-anticipated sequel to "Tron" for Disney as his first feature, or following it up with an original, $120 million sci-fi concept with Tom Cruise in the lead. The movie, about the last man on Earth whose life is forever changed when spaceship containing a mysterious woman crash lands, launching him into an unexpected adventure, has already opened overseas to big audiences.
0

M83 Joseph Kosinski
David James/Universal Pictures
After Daft Punk and M83, which French electronic artist are you leaning toward approaching for your next film?
[Laughs] Man, I don't know, there's something about the French and their music that I love, and I've had two great experiences now. I don't know -- I'll have to see what up-and-coming French electronic artists are doing great music in the next few years.

You signed Anthony Gonzalez up for the film before his double album, Hurry Up, We're Dreaming dropped, is that right?
I met with Anthony right after “Tron: Legacy” opened, so it was January 2011, and I think he was just starting Hurry Up when I talked to him about this project. I've been following him for a long time; I was listening to Dead Cities, Red Seas, Lost Ghosts in 2005 when I wrote the film's original treatment.

So M83 was always in the DNA of the film as well?
Yeah, I remember that song, “Unrecorded,” listening to that too while I was writing. So his music has been there from the very beginning, which is why I'm thrilled to have him.

Did you ever approach any other artists?
I talked to Boards of Canada, Ulrich Schnauss, William Orbit -- I talked to a lot of really cool bands for, but Anthony was in Los Angeles and the timing kind of matched up perfectly.

In bringing the story to the screen, did you always think in these epic, largely effects-driven terms?
I always wanted to tell a story in a big landscape, but I didn't want it to be an "effects" picture. I wanted it to be an “in-camera” film; you know, most films of this size might have 1500, 1600 visual effects shots -- maybe even 2000. This film only has 800 shots -- half the effects of a movie like "Tron: Legacy." Because we were able to do so much in-camera, from the Sky Tower set to shooting in Iceland, I wanted really to make my version of "Lawrence of Arabia:" on-location whenever humanly possible.

ILM Creative Director Dennis Muren recently spoke about special effects in film, and commented that they “aren't special anymore.” Where do you see your work in this regard, and in the overall sense of the industry?
Visual effects have got to support the story. The innovation I'm most proud of on this movie is our Sky Tower set. Normally it would be done with blue screen and you'd just fill in the outside, but what we did was take an old technique that Stanley Kubrick used on “2001”: front projection. We updated it by making ultra-high definition video surrounding the Sky Tower, and not only does that create an in-camera effect, but it lights the set and I think it affects the actors' performances, when they're seeing the same thing the audience will.

So for me, it's not about doing more, more, more. It's really about re-thinking how we can innovate visual effects and doing them a completely different way, even if it means taking old techniques and updating them for the 21st century.

Oblivion, Olga
Speaking of the camera, you shot “Oblivion” on the Sony Cinealta F65, fresh off the assembly line. You hear horror stories of type of decision -- Steven Soderbergh using the prototype Red camera on “Che,” for instance. Did you have any similar issues?
We had no camera issues for this movie, and for a first-generation model, it's pretty amazing. I shot with the first version of the F23, and I shot with the first version of the F25 for "Tron." So I know Sony's reliability, and it is legendary -- they came out of the news camera business, where these things have to really endure rigorous fieldwork.

I've always loved the color reproduction that they give, and when I saw the resolution on this camera, I knew I had to have it for places like Iceland, so I grabbed the first ones I could get. Hopefully people will see the film on the biggest screen they can, and see what it's capable of.

“Oblivion” opens this Friday, April 19th.

This article is related to: Oblivion, Joseph Kosinski, Interviews, Interviews


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates