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On The Rise '12: 5 Cinematographers Lighting Up Screens In Recent Years

Features
by Oliver Lyttelton
June 26, 2012 1:10 PM
22 Comments
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On The Rise Cinematographers

Following our looks at actors, actresses, screenwriters and directors to watch in recent months, when the time came to put together a list of cinematographers (as we did two years ago), we went in with an open mind. But what was interesting is realizing, after the fact, that in an era where 35mm film is allegedly being phased out, that all five have done perhaps their most distinctive work on old-fashioned celluloid, rather than digital.

All have worked in digital of course, at least in the commercial world, and some have done hugely impressive work on new formats. But most of our five are fierce advocates for good 'ol 35mm, and it's another sign that the death knell shouldn't be rung for the old ways just yet. As long as there are talented DoPs like the ones below, and on the following pages, working closely with filmmakers like Paul Thomas Anderson, Joe Cornish and Gerardo Naranjo, we should hopefully be seeing film on screen for a long time to come. Check out our five picks below, and let us know other DoPs you've got your eye on in the comments section below.

"The Master"
"The Master"
Mihai Malamaire Jr.
When Paul Thomas Anderson was gearing up to make "The Master," he found himself in something of a quandry; his usual DoP, Robert Elswit, who lensed every one of his films to date (including winning an Oscar for "There Will Be Blood"), was already booked, doing globetrotting spy double-duty on "Mission Impossible: Ghost Protocol" and "The Bourne Legacy." His choice of replacement was a surprising one: rather than going for an established A-lister -- someone like Roger Deakins or Emmanuel Lubezki -- he picked out a rising star with only a handful of credits to his name. To be exact, 37-year-old Romanian cinematographer Mihai Malaimare Jr.

Of course, it helps a great deal if three of those credits are with one of the most acclaimed filmmakers in history, Francis Ford Coppola, on his trilogy of semi-experimental passion projects "Youth Without Youth," "Tetro" and "Twixt." The DoP, born in 1975, is the son of two theater professionals -- his father Mihai is an actor and politician, and founder of the Mask Theater Company in Bucharest, and his mother is theater director Anca Dana Florea, and Mihai became interested in the movies after being given a video camera at 15. After training at the University of Theatre and Film in Bucharest, he worked on a number of short films, including "Canton" and "The Apartment" by Romanian new waver Constantin Popescu ("Tales Of The Golden Age"), before making the leap to features with 2004's "Lotus."

The following year, Coppola came to Bucharest to make his first film in a decade, "Youth Without Youth," based on the novella by Romanian author Mircea Eliade. Coppola explained that he ended up auditioning local DoPs through screen tests for prospective actors: "There [were] over 50 roles in 'Youth Without Youth'. How many could I cast right there? But I had an even more elaborate scheme: each time I shot a test with an actor, I'd use a different photographer. They were all fine but I chose Mihai Malaimare Jr." The then 29-year-old had never worked with digital, which Coppola intended to use, but he flew him to Sony's lab in L.A. for training, and the film proved to be a very impressive-looking piece of work.

Even more stunning was 2009's "Tetro," which saw the pair reunite, this time in Argentina (Malaimare was planning on working with Christi Puiu ("The Death Of Mr. Lazarescu") on "Aurora," but had to bow out for the Coppola film). Shooting in black and white was a new challenge, but one that the DoP embraced, commenting at the time: "In black and white, you have to be careful with the framing, with the light and shadow. Even if you’re not conscious of those things, viewers will be more conscious of what they see in terms of composition. With color it’s easier to trick viewers. So at first you might think it’s easier to shoot in black and white, but it’s actually more difficult because you have to do more with composition and light and shadow to make up for the things that you can’t express with color." And it certainly paid off -- the (somewhat underrated) film looked absolutely glorious.

One more collaboration with Coppola followed, with last year's still unreleased "Twixt," which has been fairly badly received, but the footage we've seen still looks distinctive, and demonstrates the young cinematographer showing off his talents further. He also shot a campaign for the MTV Video Music Awards in "Tetro"-style B&W, starring Drake and Eminem, among others, before PTA came calling. And that early footage of "The Master" (which is shot on film, much of 65mm film) looks absolutely stunning, saturated and glorious and very different from his work on Coppola. It can only lead to much more work down the line, with Coppola saying of his DoP, "Always observing, always thinking, he's a minimalist. And yet when we talk to him, you feel he understands what you're trying to express, even if he's not in your face with a lot of suggestions at first... Gordon Willis, Vittorio Storaro, he's definitely one of those extraordinarily talented cinematographers."

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22 Comments

  • paul | April 9, 2014 5:34 PMReply

    what about ELLIOT DAVIS, long time collaborator with catherine hardwicke....stunning work on the Iron Lady and keanu reeves directorial debut, Man of Tai Chi.......beautiful

  • Grey | August 8, 2012 1:49 AMReply

    No Greig Fraser? His work has been out of this world. The cinematography in 2009's Bright Star was so gorgeous.

  • Winnie Jong | July 18, 2012 9:14 PMReply

    According to critics' reviews, Marco Cappetta, AIC, should make your list. How often does a horror film get sweeping praise for its beautiful cinematography? "Bereavement" did just that, its award-winning cinematography was easily one of the best reviewed of 2011. Fantastic-looking film! http://www.cinemarco.com/bereavementtrailerpage.htm


    “evocatively photographed by D.P. Marco Cappetta"
    Frank Scheck - The Los Angeles Times

    "almost flawless visually"
    John Anderson - New York Film Critics Circle

    "stylishly filmed and technically accomplished"
    Frank Scheck - The Hollywood Reporter

    "Marco Cappetta's cinematography is one of the film's key assets"
    Michael Gingold - Fangoria

    "shot with far more care than most studio-produced horror films"
    Christian Toto - The Washington Times

    “Marco Cappetta may be the finest cinematographer since Dean Cundey. "Bereavement" is beautiful, it's rare to see a horror film so lovingly shot. Many of the shots are near works of art in themselves"
    Kyle Scott - The Horror Hotel

    "The Cinematography is excellent, I’m talking Oscar-awarding excellent"
    The Horror Review

    "sumptuosly somber cinematography by Marco Cappetta. Visually, everything was simply gorgeous"
    John Fallon - Joblo/Arrow in the Head

    "One of the key assets is the cinematography, by Marco Cappetta. Touching, masterful and amazing"
    Lorenzo Ricciardi - L'Ecran Fantastique

    “Marco Cappetta gives audiences one of the most beautiful-looking horror films of the year”
    Heather Wixson – The Misadventures of the Horror Chick

    "the cinematography is striking"
    Bryan Buss - Moving Pictures Network.com

    "this film looks amazing... Marco Cappetta knows how to make horror look absolutely beautiful"
    Bryan Martinez - Film Deviant.com

    "the cinematography is gorgeous"
    Brad Keefe - Columbus Alive.com

    "'Bereavement' looks amazing"
    Take my Life Please.net

    "the cinematography, by Marco Cappetta, looks great"
    Glenn McDonald - Triangle.com

    "The film looks better than many major studio horror productions"
    John Wirt - 2theadvocate.com

    "the cinematography by Marco Cappetta is top-notch"
    Dustin Putman - dustinputman.com

    “beautifully shot, compliments of cinematographer Marco Cappetta”
    Massive Hysteria.com

    “with key cinematography by Marco Cappetta”
    Carl Manes - I Like Horror Movies.com

    “the cinematography of Marco Cappetta is stunning”
    Ted Payson – The Flick Cast

    “gorgeous shots, one of the most beautiful horror films I've seen in a long time”
    T.D. Clark – Death Ensemble.com

    “the film is beautifully shot by Marco Cappetta, with some terrific cinematography”
    Jesse Miller – More Horror.com

    "a great-looking film, courtesy of DP Marco Cappetta"
    Horror Movie a Day

    "beautiful cinematography by Marco Cappetta. The photography is almost surreal, artfully creating a nightmarish dimension"
    Chiara Pani - Araknex's Film Critic Horror Vault

    "with a great look by cinematographer Marco Cappetta"
    Lee Weber - AV Blue-Ray reviews

    "beautifully filmed, one of the most handsome films I've seen in ages"
    Jay Kulpa - DVD Snapshot

    “beautiful cinematography”
    Kevin Woods – Independent Mail.com

  • cbh | July 11, 2012 4:33 PMReply

    Bárbara Alvarez. She shot Lucrecia Martel's LA MUJER SIN CABEZA (THE HEADLESS WOMAN, Argentina 2008) which, for me, is the best lensed feature of the decade. Period. CBH

  • jb | July 2, 2012 2:31 PMReply

    i think you mean "cairo time" under the luc montpellier section. and i second the surprise at no bradford young.

  • Suspicious | June 26, 2012 8:01 PMReply

    Very suspicious of the race quota that has been adressed here
    in the section comments.
    Favorites are a matter of taste not of democracy.
    No one has the right to demand that a Black DP should be
    one's favorite. It's ridiculous. Wake up people.

  • Wide Awake | June 26, 2012 9:22 PM

    Well @Suspicious, the last time I checked, which is every morning when I wake up; this was an industry trade site. Where, in the article does it mention the word "favorite"? If it were a list about favorites not one of us film psycho-fanatic-lovers who took pause to excitedly click on and read an entire piece top to bottom on DoP's, would give a rat's ass about who did and who didn't make the cut . Let us get one thing straight, Oliver built a solid list! And every single DoP on it deserves their seat at the table. No if, and or buts!
    The article pointedly states; "Check out our five picks below, and let us know other DoPs you've got your eye on in the comments section below."
    You don't have to agree that Playlist regularly excludes wide variety on all their given menus slash lists (click the attached links in article for their previous lists on actors, actresses, screenwriters and directors for a dose of outer perspective.) but that doesn't make it less truthful or small sighted or infer devout readers hungry for macro are asleep and need to wake up to your bountiful horizon.
    Bradford was mentioned for merit, not skin tone. The healthy question arising appears to be; what is the yard stick for getting Playlist's attention on this or any of their other killer-talentfilled lists/daily posts/career tracking?
    Sorta humorous and entitled to think you have a right to command [people to wake up] because they're filmlovers with respect for this site and are simply commenting (upon request) toward a more macro menu to dine upon...

  • Person | June 26, 2012 4:26 PMReply

    Great article. Talented batch. Don't take this personal but goodness how is it remotely possible you don't have BRADFORD YOUNG on this list? (It isn't as if he's hiding, he won "Best DP" at Sundance 2011, for 1 of 2 features on that year's roster. How many DP'S can you list with 2feature narratives at Sundance?) Had a feature in 2012 Sundance, "Middle of Nowhere", where the director won "Best Director" &it just played LAFF, Gala night. Will be released in October, with 3additional films in the can. This site needs to expand peripheral vision, you can't say you didn't see "Pariah". What about "R.C." and "M.O.N? It isn't as if Bradford's films are off the radar. Obviously off Playlist &your radar but not off "the" radar. He has 1-2 films a year at 'the' meta-domestic fest. "Restless City" is a love letter to light &tones, the cinematography is knock down enviable. When you see it, you're going to understand my frustration.
    A particular group of people, seem invisible whenever Playlist makes these lists, even when those people are right under your nose, in the 'exact-precise' same pool the entire industry is fishing from...widen the net already. I love-love this site, but damn, taller hat. (Super grt that Reed Morano is on this list.)

  • Todd | June 26, 2012 6:10 PM

    @Oliver, I didn't read that (person's) remark as a question. The period indicates a statement as in, You can't excuse your omission by stating, "You didn't see [one particular film]". The point is Bradford's had three films in circulation inside a fourteen month stretch and a quick check to IMDB reveals he's made other films, Entre Nos and Mississippi Damned. Are we to surmise those 2009 entries haven't made it to you either? This site gets heavy industry traction. Kind of seems careless, somewhat lazy not to go hunting for wide scope of talent that's out there when you're building these list. You have a forum to teach us about talent we don't know, instead of waiting for films to reach your part of the world, whereby we're bound to end up teaching you.

  • Nisa | June 26, 2012 5:03 PM

    Holy cow! In total agreement!

  • Oliver Lyttelton | June 26, 2012 4:38 PM

    See below. But to reprise, I put the list together, and Pariah hasn't made it to my part of the world yet, and neither have Restless City or Middle of Nowhere. Pariah looks glorious, but if I haven't seen the whole thing, I wouldn't feel comfortable putting him on here. Next time we do this list, I bet Young's a dead cert.

  • edward | June 26, 2012 4:18 PMReply

    lance acord in honorable mentions??? he's been around since '93. no bother in mentioning him as he's directing his first feature at his company park pictures (which did robot & frank). he's without a doubt one of the most talented working DP's working today. BAD PLAYLIST BAD!!!

  • Mony | June 26, 2012 3:17 PMReply

    Interesting article, I never really thought about the cinematographers but probably should pay more attention to them..

    Do they make good money? Some actors make more than they should, but I hope these cinematographers make some good money for all the work they do.

  • bunty | June 26, 2012 3:08 PMReply

    Nice article, Oliver. Well done.

  • jb | July 2, 2012 3:22 PM

    this is my go-to film blog, but i have to second nisa's comments.

  • Nisa | June 26, 2012 5:02 PM

    Not quite. Severely under researched and made under the lens of writer's limits and privilege. The excuse that the writer hasn't seen THREE celebrated films by directors of color shot by Bradford Young that have ALL THREE played the country's top festival is a pathetic reflection on this blog's scope and highlights an ongoing exclusion of movielovers who don't look exactly like you. Thought you guys were better than that.

  • Oliver Lyttelton | June 26, 2012 2:36 PMReply

    Greig Fraser was on our list last time around, two years ago. And mea culpa on Bradford Young; Pariah hasn't made it to my part of the world yet, though I'm sure he'd be a serious contender if I had seen it.

  • jb | July 2, 2012 3:20 PM

    not just pariah, but also middle of nowhere, ma'george, and restless city. features with considerable noise and traction in indie circles.

  • Katie Walsh | June 26, 2012 2:22 PMReply

    Robert Hauer. He's only done shorts for the most part, but as a first feature, Dead Man's Burden on 35mm is absolutely stunning. If that's any indication, he will be on this list soon.

  • Martin | June 26, 2012 1:45 PMReply

    Good list, but you should name Greig Fraser too.

  • Pierce V | June 26, 2012 1:35 PMReply

    No Bradford Young? What the hell.

  • Arch | June 26, 2012 1:41 PM

    I really was looking forward to read about him too ... yet Pariah is a few days short of being a 2012 release so I guess that's why... Great idea for a list anyway, these are people I wanna hear about !

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