After a successful cook, Walt and Jesse settle down with a few beers in front of the TV and begin to talk. Walt says how seeing Jesse together with Andrea was “nice” and for a moment, we believe that he actually cares. Seeing his protégée, a former addict, settle into a more domestic life like his own would’ve been something that the old Walt might have admired. But quickly we see the ruse, although Jesse doesn’t, that Walt only cares about protecting himself. He wants to find out how much Andrea knows, to see if she could be a liability, and manipulates Jesse into thinking it’s “his decision” to breakup with her. “Secrets create barriers between people,” he says. “Speaking from experience, believe me. All that you’ve done is a part of you now.” Not only has Walt become a master liar but also a master puppeteer.
Meanwhile at the car wash, Marie asks Skyler what she plans to do for Walt’s upcoming birthday -- after all, it was during the pilot that he celebrated his 50th -- and she begins to Freak. Out. The cadence of her manic “Shut up! Shut up! Shut up!” recalls Philip Seymour Hoffman’s similar rant in “Punch-Drunk Love.” Next week’s episode is titled “Fifty-One,” indicating we’ll see some kind of celebration for Walt regardless of Skyler’s approval, perhaps setting the stage for a more public meltdown. When Marie confronts Walt about Skyler’s breakdown, he smoothly shifting the attention away from himself and onto his wife’s extramarital activities with now-hospitalized Ted Beneke. This is partially true -- she does feel guilty about Ted’s accident and did technically have an affair with him -- but these facts probably rank pretty low on the scale of “things currently worrying Skyler” at the moment, making this a masterful bit of improv from Walt.
Skyler awakes to find her family gathered around the television watching the finale of Brian DePalma’s “Scarface,” another ultraviolent tale of one man’s rise to becoming a drug kingpin, and reacts with silent horror. It’s a scene that’s so on-the-nose it probably shouldn’t work -- particularly given Vince Gilligan’s oft-used byline for the show about turning “Mr. Chips” into “Scarface" -- but it absolutely does. Walt recites dialogue holding their young baby, with his teenage son who idolizes him at his side. “Hey, why don’t you join us...if you feel better,” he offers with popcorn and pizza consolations. “Everyone dies in this movie,” Walt says, painting the picture of a grim future for his own family without even realizing it. Truly horrifying.
Despite an “excellent yield,” they’ve made just under 50 lbs, a fraction of the 200 lbs a week they used to cook for Gus. Mike handles the business, beginning with $367,000 each in large cash piles, but by the time they’ve paid their various operating costs, they end up with just $137,000 each and Walt is not happy. “Listen Walter, just because you shot Jesse James, doesn’t make you Jesse James,” Mike says to him. But he won’t listen. He may have a bigger piece of the pie, but there are still too many fingers in it. He’s so disappointed with his paycheck for the week that he can hardly pretend to be sympathetic when Jesse tells him he broke it off with Andrea.
Then Walt begins plotting something still unclear, planting the seeds of doubt that maybe Victor, the lab assistant who had memorably had his throat slit by Gus in the Season 4 premiere, “flew too close to the sun.” Perhaps his murder wasn’t to teach Walt and Jesse a lesson but instead because he tampered with the formula. Though it’s not clear how the Icarus myth relates yet, Walt probably figures he needs to make sure Jesse is aligned with him for when he and Mike inevitably can no longer see eye-to-eye. By this point in the season, most of the pieces have been placed on the board and even if we have an idea where things might end up -- the self appointed king losing his throne -- we have no clue how the game will play out. [B+]