By Katie Walsh | katiewalshwrites.com July 10, 2013 at 7:58PM
Anyone familiar with Emir Kusturica's 1995 film "Underground" has had a taste of the signature Balkan brass music unique to Serbia, a wild, lively, and heart-pumping blend of trumpets, drums and other brass instruments that gives the film its distinctive tone and cultural stamp. "Brasslands," a documentary directed by the 10-person Meerkat Media Collective, sets out to explore this type of music at the largest trumpet festival in the world, in the tiny village of Guča, Serbia. The people of Serbia are passionate about their music, something that sets them apart as a culture and serves as a point of desperately needed national pride in the wake of the war with Bosnia and subsequent NATO bombings in the 1990s. So while "Brasslands" captures this special music and its spirit, it also captures what this music means to Serbians and how they see themselves in the world. And more than that, the film shows us how this music can draw in and hook anyone, Serbs and non-Serbs alike, united in the lightning fast rhythms and infectious celebratory spirit.
After a short introduction to the sleepy hamlet of Guča, we are soon taken to a more familiar environ: Grand Prospect Hall in Brooklyn, where the American Balkan brass band Zlatne Uste is performing for hundreds of dancing hipsters. Formed in 1983, Zlatne Uste is a group of non-Serbian musicians who simply play this music because they love it so much. They immerse themselves in the history, the musicians, the singing, the culture and the dance in a Balkan summer camp of sorts, familiarizing themselves with all aspects of Serbian and Balkan culture (down to the whole roasted lambs). Varying in age from 20s to 60s, Zlatne Uste is comprised of middle school gym teachers, retired engineers, professionals and moms who are obsessive in their love of this music. What's importantly captured in the film is their self-awareness about their appropriation of this style of music and culture, being non-Serbians, as well as their utmost respect and love for the art form. Without that humility, it would be difficult to be able to get on board with what one WNYC DJ describes as "bringing Balkan music to the Balkans."
But that's not what the members of Zlatne Uste are trying to do, as they're just happy to be there and to participate, having played the festival for the first time in 1987. Their desire and need to play this music seems to exist on a cellular, spiritual level; they are taken with the addictive, adrenaline rush of a rhythm and sound. They're chasing the high that can only come from this music, which is much more than just the music, it's an experience. The bands tend to play in and around groups of people, often in the middle of a circle of dancers, or while smoking cigs with a groom-to-be, or next to a dead sheep for a housewarming party. It's as much about the music as it is about the dancing, the unity, the bills stuck in the hats and on the heads of sweaty trumpeters.
For the 50th anniversary of the trumpet festival, Guča has organized an international competition for the first time, and Zlatne Uste feel compelled to go and compete, being one of the first international bands to play the festival in 1987. This competition gives the film its structure and its driving plot engine; much of it is laid out the way most competition docs are, with introductions to our major players, top dogs and underdogs and the wild, screaming fans. We meet reigning champ Dejan Petrović, a charismatic brute of a master trumpeter from a long lineage of champion trumpeters. We are also introduced to Roma Gypsy trumpeter Demiran Ćerimović, one of the musical idols of Zlatne Uste, and from South Serbia, the rivals of West Serbia, where Dejan hails from. Serbians refer to the Gypsies as "black" and other Serbs as "white" and freely speak in these terms. The musical styles vary slightly, but both men are champions and the title of best orchestra from this festival is hotly contested as a point of pride (and it's not too bad for business either).
However, this will be possible for some lucky New Yorkers, as "Brasslands" will have its New York premiere on Saturday, July 13th, presented by Rooftop Films as a part of the River to River Festival, which will also serve as the soundtrack release party (which is being released on world music label Evergreene Music). In addition to the free outdoor screening on the waterfront, four Balkan brass bands will be playing (yes, Zlatne Uste will be there), to bring a little bit of Guča to the East Coast. "Brasslands" is a fascinating look at this infectious and addictive form of music, so filled with life from a country that has seen its fair share of death, sadness and war. It's not hard to see why the members of Zlatne Uste love it so much. [B+]
Visit brasslands.com for more information.