Click to Skip Ad
Closing in...
Watch: Jesse Eisenberg And Kristen Stewart Go On In The Run In Red Band Trailer For 'American Ultra' Watch: Jesse Eisenberg And Kristen Stewart Go On In The Run In Red Band Trailer For 'American Ultra' The Top 10 Films Of The 2015 Cannes Film Festival The Top 10 Films Of The 2015 Cannes Film Festival 5 Innovative Ways The Michael Fassbender/Marion Cotillard 'Macbeth' Differs From Previous Versions 5 Innovative Ways The Michael Fassbender/Marion Cotillard 'Macbeth' Differs From Previous Versions New ‘Ant-Man’ Photos; Movie May Include More Marvel Cinematic Universe Characters New ‘Ant-Man’ Photos; Movie May Include More Marvel Cinematic Universe Characters Over 30 New 'Jurassic World' Photos, Plus 2 New Clips & Lots Of New TV Spots Over 30 New 'Jurassic World' Photos, Plus 2 New Clips & Lots Of New TV Spots Matt Damon Goes Interstellar Again In New Pics From Ridley Scott's 'The Martian' Matt Damon Goes Interstellar Again In New Pics From Ridley Scott's 'The Martian' Cannes Awards Winners: Jacques Audiard's 'Dheepan' Wins Palme d’Or; Rooney Mara Ties For Best Actress With ‘Carol’ Cannes Awards Winners: Jacques Audiard's 'Dheepan' Wins Palme d’Or; Rooney Mara Ties For Best Actress With ‘Carol’ First Look: Matt Damon As An Astronaut In Ridley Scott’s ‘The Martian’ First Look: Matt Damon As An Astronaut In Ridley Scott’s ‘The Martian’ Cannes Review: Justin Kurzel's 'Macbeth' Starring Michael Fassbender & Marion Cotillard Cannes Review: Justin Kurzel's 'Macbeth' Starring Michael Fassbender & Marion Cotillard Watch: Incredible Vintage Footage Of Audience Reactions To 'The Exorcist' In 1973 Watch: Incredible Vintage Footage Of Audience Reactions To 'The Exorcist' In 1973 Here's The Character Backstory For Doof aka Guitar Flamethrower Dude In 'Mad Max: Fury Road' Here's The Character Backstory For Doof aka Guitar Flamethrower Dude In 'Mad Max: Fury Road' The 10 Most Controversial Cannes Films Ever The 10 Most Controversial Cannes Films Ever More NSFW Posters For Gaspar Noe's 3D 'Love' Plus The Official Director's Statement More NSFW Posters For Gaspar Noe's 3D 'Love' Plus The Official Director's Statement Cannes: Watch A Three Way Makeout In The First Clip From Gaspar Noe’s 3D ‘Love’ Plus New NSFW Image Cannes: Watch A Three Way Makeout In The First Clip From Gaspar Noe’s 3D ‘Love’ Plus New NSFW Image New NSFW, Extremely Graphic, Adults-Only Poster For Gaspar Noe's 'Love' New NSFW, Extremely Graphic, Adults-Only Poster For Gaspar Noe's 'Love' The 25 Best Films Of 2015 We've Already Seen The 25 Best Films Of 2015 We've Already Seen The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season 10 Movies Booed At Cannes 10 Movies Booed At Cannes All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More

Review: 'Cloud Atlas' Is Bold, Messy & Disappointingly Unimaginative

Photo of Kevin Jagernauth By Kevin Jagernauth | The Playlist October 25, 2012 at 6:32PM

With The Wachowskis and Tom Tykwer literally throwing a critic off the roof of a building to his death in the opening moments of the nearly three-hour "Cloud Atlas," it's clear that they aren't concerned in the slightest with how this ambitious effort will be received. And you certainly have to give the trio of directors some respect for their approach, which tag teams an all-star cast, gives them multiple roles and spreads the story across nearly a half dozen time periods. But for all their boldness in narrative approach, the adaptation of David Mitchell's "Cloud Atlas" is also a mess, with an attempt to mix its various genres under a universal thematic banner that never quite coheres.
24
Cloud Atlas, Hanks, Berry

With The Wachowskis and Tom Tykwer literally throwing a critic off the roof of a building to his death in the opening moments of the nearly three-hour "Cloud Atlas," it's clear that they aren't concerned in the slightest with how this ambitious effort will be received. And you certainly have to give the trio of directors some respect for their approach, which tag teams an all-star cast, gives them multiple roles and spreads the story across nearly a half dozen time periods. But for all their boldness in narrative approach, the adaptation of David Mitchell's "Cloud Atlas" is also a mess, with an attempt to mix its various genres under a universal thematic banner that never quite coheres.

The first thing that should be noted however, is that of all the elements that were likely to upend the picture, the stunt approach to casting actually works quite well. The thespians all seamlessly blend into their roles, and none of the choices are particularly jarring or take away from the drama on screen. And when the parts do draw laughs, it's usually intentional (Tom Hanks as a bruising Ray Winstone-ish author is particularly funny) and Hugh Grant acquits himself well in a handful of atypical, villain-esque parts. But it's just too bad these players are given nothing better to do than feature in a handful of rather undercooked genre excursions that feel like they're from five or six different movies.

Halle Berry Keith David Cloud Atlas

From a rather bland "All The President's Men"-style, '70s-set thriller to futuristic sci-fi to an 1800s sea-faring adventure to – most out of place – a British comedic caper (seriously), the actual stories themselves aren't all that compelling on their own. Hell, there's even a movie within the movie. And while the transitions between them are mostly seamless, the fates of the characters are difficult to get invested in, mostly because we don't spend much time with them. But perhaps this isn't so important when the Wachowskis and Tykwer have bigger thematic fish to fry.

There are a number of throughlines to "Cloud Atlas" that reach for profundity, but land with all the insight of a discounted New Age self help book. "Our lives are not our own, we are bound to each other past and present," Bae Doona's prophetess Sonmi-451 says with great importance. "Love could outlive death" and "Death is only a door" are more of the sagacious platitudes she shares in a film that beats these ideas into the ground, rather than letting them arise on their own. But worse, they never for a moment feel organically drawn or sincere. And coupled with a score that makes the audience know when it's supposed to be moved and/or learning something, the directness of "Cloud Atlas" often renders its various messages inert or eye-rollingly glib (and that's not counting a consumerism theme that's introduced and swiftly forgotten about).

Jim Broadbent Jim Sturgess Cloud Atlas

And then there's the Wachowskis now strained up-with-people revolutionary politics that after "The Matrix" and "V For Vendetta" feels like they have nothing new to add to the conversation. With a common distinction in each of the stories being the struggle of the oppressed agasinst the oppressor, and the general unfairness of separation by class, gender or race, "Cloud Atlas" can only muster up a rather tepid obversation that "the gulf is an illusion" without really and truly doing the hard work of addressing the power structures in place that maintain these divisions, except in the most superficial manner.

But perhaps most disappointing of all with "Cloud Atlas" is how dully unimaginative the film really is. Produced independently and outside the studio system (with Warner Bros. picking up the rights for distribution), you would think it would allow the opportunity for both the Wachowskis and Tykwer to really push this audacious premise to the limit. But at least for The Wachowskis, this may be their most mainstream and blandly drawn effort to date. The film's futuristic Neo Seoul is mostly a cityscape culled from any number of sci-fi movies in the last decade, with a lot of flatscreen walls and motion sensor movments (and the resulting action setpieces within are shockingly conventional particularly from the duo that brought bullet-time to cinemas). And in the last third of the film, when the plotlines begin to resolve themselves, we're treated to no less than three different chase sequences, none of them memorable or inventive. The people who you expect to step in and save a life or fall in love come through, and when one character says in the film's rare moments of self-awareness "This would make a good book," we had to keep from groaning out loud.

Cloud Atlas, Tom Hanks

On a technical level, we suppose the film is an accomplishment, with costumes and period details mostly coming through, but in most other ways, this $100 million effort offers fortune cookie social commentary put in a blender with a handful of thinly interlocking stories, in a failed attempt to say something meaningful about the human condition, and how modes of good and evil perpetuate themselves across centuries. Too long by at least a half hour, and both dull and repetitive as it goes on, "Cloud Atlas" reaches for envelope-pushing storytelling but never delivers on its promise. [C-]

This is a rerun of our review from TIFF.

This article is related to: Cloud Atlas, Review, Tom Hanks, Halle Berry, The Wachowskis, Tom Tykwer, Ben Whishaw, Jim Broadbent, Hugh Grant


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates