Tomer humors Gili, but Omri latches onto the young girl not because of her beauty (although Levy is a gorgeous girl with unforgettably sharp features that suggest Bettie Page as a blade), but because she seems more than willing to showcase her feminine wiles in exchange for running with this crew. Omri comes across like a handsomer version of Joe Francis, always prepared with a witty come-on and a shit-eating grin that suggests his off-the-cuff charm would, in a more fair reality, make him a popular car salesman or, more accurately, a sex-crime prettyboy on a leash behind bars. With every eyebrow-raise, he continues to seduce a reluctant Gili, who regards him as something of a boyfriend even if she's just one of many. A moment when Gili reveals to a gang of girls that she's been sleeping with him reverberates with tension and sadness, as Gili struggles to retain hold of the narrative implying that she is in control of her own exploitation, the implication being that she's free to seduce whomever she likes.
There's no real fresh insight to be gained from "S#x Acts," which takes its title from the film's structure (built around six sex acts that seem to intensify). That weakness also works as a strength, the narrow focus allowing a near-confrontational look at one girl stuck in that nexus between preventing and allowing her exploitation. Some will open up the conversation of "Six Acts" by acknowledging that none of the situations fit the "traditional" definition of rape. Others, current company included, can't ignore that each of these six acts are a violation, of trust and identity, that go far beyond the verbalizing of our harmful actions. We mustn't forget, each day one man on a power trip is exploring that edge against a woman, and entire subcultures based around "partying" and emphasizing "youth" seem to encourage it, under the guise of "turning a deaf ear." With its broad, ambiguous title, "Six Acts" reminds us, with heartbreaking power, that sometimes vigilance just isn't enough, and all it takes is an "act" or two to change a life forever. [A-]
This is a reprint of our review from the 2013 Tribeca Film Festival.