"I was editing 'The Dictator' and we were very close to release and Paramount wouldn’t push the date. And then I knew I’d have to jump straight from there into 'Les Mis[erables]' and it basically became a choice of either pulling out of 'Les Mis' or pulling out of 'Django,' " the actor told Deadline. "I’m sure 'Django' is an incredible movie, but it was essentially one scene." (Cohen also said last spring that the press tour for "The Dictator" was also problematic for scheduling).
So who was he going to play? "It was a character by the name of Scotty, whom Leonardo DiCaprio’s character plays a poker game with. The stakes become Scotty’s slave girl, Broomhilda," he said. But there's a bit more to it than that. It was a rather long, tangential flashback explaining how Broomhilda was sold to DiCaprio's Calvin Candie in the first place. The character was Scotty Harmony, who in early drafts was an overweight 24-year-old who comes into possession of Broomhilda thanks to his father, who buys her for him, to help boost his confidence. Harmony's also deeply enarmored by her, and this whole sequence tries to display another ugly secret of the racism of the south: the white men had no problems having black girlfriends known as Ponys in their underground clubs. Whether or not this is another historical fabrication of Tarantino's -- we haven't researched it enough -- it sure sounds like it. And as you know by now, the character and the scene didn't wind up making the final film anyway.
So did Cohen make the right choice? He's certainly bringing some much needed life and levity to "Les Miserables" in theaters now, and the audience we saw the movie with loved his take on "Master Of The House." But either way, 'Django' seems to be doing just fine without him.