Click to Skip Ad
Closing in...
Ryan Gosling To Star In 'Blade Runner 2' Ryan Gosling To Star In 'Blade Runner 2' Watch: New Trailer For 'Star Wars: The Force Awakens' Flies Into The Galaxy Watch: New Trailer For 'Star Wars: The Force Awakens' Flies Into The Galaxy Watch: First Teaser Trailer For Quentin Tarantino's 'The Hateful Eight' Watch: First Teaser Trailer For Quentin Tarantino's 'The Hateful Eight' Watch: Zack Snyder Teases The Full Trailer For ‘Batman V. Superman: Dawn Of Justice' & Upcoming IMAX Event Watch: Zack Snyder Teases The Full Trailer For ‘Batman V. Superman: Dawn Of Justice' & Upcoming IMAX Event Ryan Gosling & Edgar Wright Talk 'Lost River,' Shooting In Detroit, And Advice For First Time Filmmakers Ryan Gosling & Edgar Wright Talk 'Lost River,' Shooting In Detroit, And Advice For First Time Filmmakers Netflix & Marvel's 'Daredevil': The Pros, The Cons, The Verdict Netflix & Marvel's 'Daredevil': The Pros, The Cons, The Verdict Netflix's 'Daredevil' Is An Awesome Achievement And Marvel's Most Graphic & Grounded Effort To Date Netflix's 'Daredevil' Is An Awesome Achievement And Marvel's Most Graphic & Grounded Effort To Date Watch: Action-Packed Footage In 2 New “Avengers: Age of Ultron’ TV Spots, Plus Watch Interviews With The Entire Cast Watch: Action-Packed Footage In 2 New “Avengers: Age of Ultron’ TV Spots, Plus Watch Interviews With The Entire Cast Watch: Trailer For 'The Great Beauty' Director Paolo Sorrentino's 'Youth' Starring Michael Caine & Rachel Weisz Watch: Trailer For 'The Great Beauty' Director Paolo Sorrentino's 'Youth' Starring Michael Caine & Rachel Weisz Joss Whedon Says He's Not Making 'Avengers: Infinity War' Because It's "A Young Man’s Game" Joss Whedon Says He's Not Making 'Avengers: Infinity War' Because It's "A Young Man’s Game" Watch: Take 7 Minutes And Learn The History Of Film Editing Watch: Take 7 Minutes And Learn The History Of Film Editing 'Avengers: Age Of Ultron' Called "Amazing" And "More Emotional" With "Insane Action" After First Screening 'Avengers: Age Of Ultron' Called "Amazing" And "More Emotional" With "Insane Action" After First Screening Joss Whedon Calls 'Jurassic World' Clip "70s Era Sexist" Joss Whedon Calls 'Jurassic World' Clip "70s Era Sexist" James Gray Bites Into 'Hard Apple' With '70s-Set Animated Crime Series James Gray Bites Into 'Hard Apple' With '70s-Set Animated Crime Series The 20 Most Anticipated Films Of The 2015 Tribeca Film Festival The 20 Most Anticipated Films Of The 2015 Tribeca Film Festival The 25 Best Films Of 2015 We've Already Seen The 25 Best Films Of 2015 We've Already Seen Best Of 2014: The 15 Best Movie Soundtracks Of 2014 Best Of 2014: The 15 Best Movie Soundtracks Of 2014 The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season From Worst To Best: Ranking The Films Of Hayao Miyazaki From Worst To Best: Ranking The Films Of Hayao Miyazaki

Space Invaders: 14 Aliens Attack Movies

The Playlist By The Playlist Staff | The Playlist March 10, 2011 at 5:39AM

While the genre never really goes away, once a decade or so the alien invasion picture suddenly hits the zeitgeist. It happened in the 1950s with the slew of B-movies, it happened in the 1990s as "The X-Files" captured the public's imagination, and for whatever reason (birthers? immigration concerns? a shortage of fake teeth for vampire movies?) it's happening again now.
12

Invasion of the Body Snatchers" (1956)
The “Citizen Kane” of 1950s science fiction films, the original “Invasion of the Body Snatchers” is still the best. Based on the Jack Finney novel “The Body Snatchers,” the story should be familiar to anyone semi-literate in film. It centers on a doctor (Kevin McCarthy) whose patients insist their loved ones have been replaced by imposters. It appears that people are being replaced by perfect duplicates grown in pods who are identical to their human counterparts but lack all emotion. Widely seen as an indictment of McCarthyism, the film works as both paranoid thriller and political allegory (the best ones usually do.) Watching the film today, it’s amazing to see the way this movie walks the line between many genres (noir, sci-fi, horror) without ever stepping into silliness. Despite the opening/closing bookends shoehorned onto the film by the studio, the ending (featuring one of the best examples of breaking the 4th wall in cinema history) is still chilling. "They're here already! You're next!" A true classic. [A]

Lifeforce" (1985)
Most alien invasion movies are defined by flying discs, but Tobe Hooper's "Lifeforce" is most fondly remembered for a pair of orbs -- namely, the breasts of lead actress Mathilda May, who spends most of the movie walking around completely naked. The production, which was co-written by "Alien"'s Dan O'Bannon, infamously ran over-budget and was marred by disagreements in the editing room between Hooper and his production company, the dearly departed Cannon. Not that this explains anything you see onscreen. The movie has some bright spots, for sure, including a typically jaunty Henry Mancini score and an admirable lead performance by the underrated Steve Railsback, but it's mostly a mess -- an unintelligible mishmash involving space vampires, Haley's Comet, and lots of hot alien nudity. Even Hooper's considerable stylistic flourishes can't save this from being little more than a late night oddity. [B-]

Mars Attacks!" (1996)
The cinematic landscape in 1996 was punctuated by a pair of big budget, heavily hyped alien invasion movies. "Independence Day," with its easily digestible gulps of rah-rah patriotism, was released that summer and made bucketfuls of cash. Tim Burton's "Mars Attacks!," released several months later, was defined by its prickly cynicism and more or less bombed. Which is a shame, really, because there's so much to love about ">Mars Attacks!" -- from Jack Nicholson's Peter Sellers-esque dual performances as the President and a Las Vegas sleazebag, to Industrial Light & Magic's Harryhausen-y visual effects, to the fact that Warner Bros. made an $80 million event movie based on a series of scummy, hyper-violent trading cards. (At one point the movie was rated R and was considerably more expensive, thanks to Burton's insistence that the creatures be stop-motion animated.) Maybe audiences weren't ready to see the end of the world played out as a large-scale cosmic joke… or maybe they just thought the joke wasn't that funny. [A-]

This article is related to: Films, Feature, Battle: Los Angeles


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates