Click to Skip Ad
Closing in...
Watch: Anna Paquin Is Rescued In Clip From 'X-Men: Days of Future Past - The Rogue Cut' Watch: Anna Paquin Is Rescued In Clip From 'X-Men: Days of Future Past - The Rogue Cut' Watch: Live Your Ultimate Fantasy With The First NSFW Trailer For Gaspar Noe's 'Love' Watch: Live Your Ultimate Fantasy With The First NSFW Trailer For Gaspar Noe's 'Love' Terrence Malick’s ‘Knight Of Cups’ Won’t Arrive Until 2016, Austin Music Scene Drama Not Titled ‘Weightless’ Terrence Malick’s ‘Knight Of Cups’ Won’t Arrive Until 2016, Austin Music Scene Drama Not Titled ‘Weightless’ The Punisher Will Reportedly Appear As The Villain In ‘Daredevil’ Season 2 The Punisher Will Reportedly Appear As The Villain In ‘Daredevil’ Season 2 'Lucy 2' And 'Colombiana 2' Are In Development 'Lucy 2' And 'Colombiana 2' Are In Development Mixed Reactions For Marvel's 'Ant-Man' After First Press Screening Plus New Promos And Pics Mixed Reactions For Marvel's 'Ant-Man' After First Press Screening Plus New Promos And Pics The Essentials: The 5 Best Rachel McAdams Performances The Essentials: The 5 Best Rachel McAdams Performances Kevin Feige Says 'Spider-Man' Is "Definitely A Sony Picture," Talks Role Of 'Ant-Man' In Phase 3, More Kevin Feige Says 'Spider-Man' Is "Definitely A Sony Picture," Talks Role Of 'Ant-Man' In Phase 3, More First Reviews For 'Terminator Genisys' Suggest Franchise Didn't Need To Say "I'll Be Back" First Reviews For 'Terminator Genisys' Suggest Franchise Didn't Need To Say "I'll Be Back" Kit Harington & Dakota Fanning Replace Robert Pattinson & Mia Wasikowska In 'Brimstone' Kit Harington & Dakota Fanning Replace Robert Pattinson & Mia Wasikowska In 'Brimstone' The Essentials: The 5 Best Colin Farrell Perfomances The Essentials: The 5 Best Colin Farrell Perfomances Review: ‘True Detective’ Season 2, Episode 1, ‘The Western Book of the Dead,' How It Differs From Season 1 & More Review: ‘True Detective’ Season 2, Episode 1, ‘The Western Book of the Dead,' How It Differs From Season 1 & More First Listen: Here's Your 'True Detective' Season 2 Theme Song & The First Episode Music Cues First Listen: Here's Your 'True Detective' Season 2 Theme Song & The First Episode Music Cues The 25 Best Animated Films Of The 21st Century So Far The 25 Best Animated Films Of The 21st Century So Far The 50 Best Films Of The Decade So Far The 50 Best Films Of The Decade So Far 'The Leftovers' Reboots For Season 2, Switches Setting And Makes Casting Changes 'The Leftovers' Reboots For Season 2, Switches Setting And Makes Casting Changes The 25 Best Horror Films Of The 21st Century So Far The 25 Best Horror Films Of The 21st Century So Far The 20 Best TV Shows Of The 2013/2014 Season The 20 Best TV Shows Of The 2013/2014 Season From Worst To Best: Ranking The Films Of Hayao Miyazaki From Worst To Best: Ranking The Films Of Hayao Miyazaki All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More All The Songs In 'Pitch Perfect' Including La Roux, David Guetta, Azealia Banks, Nicki Minaj & More

Space Invaders: 14 Aliens Attack Movies

The Playlist By The Playlist Staff | The Playlist March 10, 2011 at 5:39AM

While the genre never really goes away, once a decade or so the alien invasion picture suddenly hits the zeitgeist. It happened in the 1950s with the slew of B-movies, it happened in the 1990s as "The X-Files" captured the public's imagination, and for whatever reason (birthers? immigration concerns? a shortage of fake teeth for vampire movies?) it's happening again now.
12

Invasion of the Body Snatchers" (1956)
The “Citizen Kane” of 1950s science fiction films, the original “Invasion of the Body Snatchers” is still the best. Based on the Jack Finney novel “The Body Snatchers,” the story should be familiar to anyone semi-literate in film. It centers on a doctor (Kevin McCarthy) whose patients insist their loved ones have been replaced by imposters. It appears that people are being replaced by perfect duplicates grown in pods who are identical to their human counterparts but lack all emotion. Widely seen as an indictment of McCarthyism, the film works as both paranoid thriller and political allegory (the best ones usually do.) Watching the film today, it’s amazing to see the way this movie walks the line between many genres (noir, sci-fi, horror) without ever stepping into silliness. Despite the opening/closing bookends shoehorned onto the film by the studio, the ending (featuring one of the best examples of breaking the 4th wall in cinema history) is still chilling. "They're here already! You're next!" A true classic. [A]

Lifeforce" (1985)
Most alien invasion movies are defined by flying discs, but Tobe Hooper's "Lifeforce" is most fondly remembered for a pair of orbs -- namely, the breasts of lead actress Mathilda May, who spends most of the movie walking around completely naked. The production, which was co-written by "Alien"'s Dan O'Bannon, infamously ran over-budget and was marred by disagreements in the editing room between Hooper and his production company, the dearly departed Cannon. Not that this explains anything you see onscreen. The movie has some bright spots, for sure, including a typically jaunty Henry Mancini score and an admirable lead performance by the underrated Steve Railsback, but it's mostly a mess -- an unintelligible mishmash involving space vampires, Haley's Comet, and lots of hot alien nudity. Even Hooper's considerable stylistic flourishes can't save this from being little more than a late night oddity. [B-]

Mars Attacks!" (1996)
The cinematic landscape in 1996 was punctuated by a pair of big budget, heavily hyped alien invasion movies. "Independence Day," with its easily digestible gulps of rah-rah patriotism, was released that summer and made bucketfuls of cash. Tim Burton's "Mars Attacks!," released several months later, was defined by its prickly cynicism and more or less bombed. Which is a shame, really, because there's so much to love about ">Mars Attacks!" -- from Jack Nicholson's Peter Sellers-esque dual performances as the President and a Las Vegas sleazebag, to Industrial Light & Magic's Harryhausen-y visual effects, to the fact that Warner Bros. made an $80 million event movie based on a series of scummy, hyper-violent trading cards. (At one point the movie was rated R and was considerably more expensive, thanks to Burton's insistence that the creatures be stop-motion animated.) Maybe audiences weren't ready to see the end of the world played out as a large-scale cosmic joke… or maybe they just thought the joke wasn't that funny. [A-]

This article is related to: Films, Feature, Battle: Los Angeles


The Playlist

The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more.


E-Mail Updates