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But, in answer to your question, something just being daring just for being daring is not simply effective. That’s not what I’m looking for -- I’m looking for something that is emotionally resonating. And in this case I was reading the script and my character shows up and I had an expectation of what she was going to be and it completely confounded my expectations, and I was really touched by it and surprised. I was like, hey! That was actually a different way. The fact that she is someone who is so unbelievably private and committed to being authentic and unable to be inaunthentic was really, really interesting.

TD: Well, I really loved it when we first met. I felt this certain paternal thing with Joe on "Angels In The Outfield." So even though we may not see each other I keep my eye on him and it’s just been an amazing evolution, and it’s not surprising I have to tell you. Because even then you could tell he was watching everybody, he was interested in the craft of it right from the beginning. It wasn’t about the superficial stuff it was about the work even then. So I’m not surprised. I am surprised about how good the movie is. [JGL laughs] I’m not kidding! Not that I didn’t think you were going to make a great movie.
JGL: Well I’m glad to hear it.
TD: I just thought that the movie played like gangbusters last night. It’s so sexy! And it’s so like, right there! You know you feel it. And by the way it’s an old story. It’s the same old story we’ve been telling only it uses this device that I think is so prevalent and so problematic in our society.
Absolutely. So talking about your character, what was the best part about playing such a heartless bastard?
TD: Well you get to do something that is totally against type. One of the things that Joe constantly told me was “No, I still like you! I still like you. I want you to get madder.” [they laugh]
JGL: Well and he’s so lovable! Every time you see Tony on screen you just can’t help but smile. So I wanted to…
TD: Break the spell of that....So I think that was the fun of it, was to try see if you could do that without making a caricature out of it. I grew up in a family where if they weren’t yelling, they didn’t care. So that was my favorite archetype.
Joe, you're kind of a veteran now at Sundance. You've acted in films that premieried here and it’s your third year here in collaboration with hitRECord. What’s it like to have the film you directed premier here?
JGL: It’s deeply meaningful. I feel like Sundance is more than just a festival, it’s even more than the institute. It’s a community. I think what Mr. Redford created here is invaluable to people who love movies, in this country especially. Without this community here to encourage each other and let each other know that it’s okay you don’t have to only chase box office, there’s more to movies than that. Sundance is really the epicenter of that sentiment in this country. That’s always resonated with me because I just love movies and love acting and love making things. I would do it whether I was making money doing it or not. And that’s, I think, what people are about here and that’s why I feel so connected to it and why it means so much to have such a great reception for the movie here, especially in Sundance in particular.
"Don Jon's Addiction" will be released sometime later this summer.
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