One of the sticking points in our review of the film was the notion of Spencer's character, Loray, subverting the trope of the “Magical Negro”—a supporting black presence there simply to aid the white lead to her goals. When asked what makes her character different that the trope, Spencer responded, “I think the Magical Negro doesn't grow. The Magical Negro throws down the seeds and the world just comes together, but Loray goes on a journey too and she grows. She's more of a shield for Lamb, but Lamb makes her get back to her foundation, I think. So that's the beauty of this story—everybody grows."
Cody added with a smile, “Just the fact that she says I'm not your Magical Negro disqualifies her from that position, because usually they're really happy about it.”
Taking the writer/director credit on the film was difficult for Cody to embrace, even though she's logged many set hours on her partnerships with Jason Reitman and on “United States of Tara”. “I really enjoy collaborating with other directors and I hope to continue doing that. For me it was a series of why not questions: 'Why haven't I done this yet?' A lot of people in my life have in encouraged me to try and I really felt at this point was just garden-variety fear, and that's not a good reason to avoid something.”
Since she had never directed “a commercial, a video, a short, Funny or Die, nothing”—Cody admitted she took on the writerly assumption that “you're going to be able to translate everything from the page directly into the film”. However, she quickly found out the budget, time, and lighting constraints inherent to the job, adding her biggest surprise was “that you have to make compromises all the time even when you're the director—unless you have that $200 million budget. And I imagine there are compromises there too.”
Certainly one of the reasons for Cody gathering the budget to bring “Paradise” to the screen is her Oscar recognition from winning Best Original Screenplay for 2007's “Juno." She's shared in Oscar clout with Spencer—more recently a winner for her role in “The Help”—but the two women say that while doors have definitely been opened for them, they've made the decision to keep their lives the same. [My life] has to be small, because I can't have it too big,” Spencer said. “But my career—I get to work with the best of the best and I get to have an opinion about the things I want to do. And let me tell you, that is great to have your voice heard.”
She added, “I think what we do is an art, and it's great to enter into a project and know that it will either enlighten, educate, or be a form of escapism. Right now I'm more attracted to parts like this that will enlighten, but also be a form of escapism. I don't feel responsible for shaping the consciousness of society. I think that's our job as functioning human beings to do that. ['The Help'] spoke to women that came before me who were invisible who shaped the people who run this country. It's like that little hush-hush thing that we don't talk about. Well, why don't we embrace it? There's nothing wrong in honorable work, whether it's a maid or a sanitation worker. I don't want be the moral compass for anyone, because I think that's your own personal journey.”
Cody said that she regards her award as “souvenirs from a fun year”, adding, “You can't fixate on them. I always say it's kind of like class president—you win that year and then you get over it. You can't around college telling everyone you were high school class president, because you're not going to be very popular. So you savor the memory and move forward.”
“Paradise” is available now on VOD and iTunes and in theaters Oct 18th.