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Zack Snyder's 'Man Of Steel' Not Getting Converted For IMAX 3D (Yet)

  • By Kevin Jagernauth
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  • July 9, 2012 6:08 PM
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  • 3 Comments
Even though Christopher Nolan -- advocate for film stock over digital and IMAX over 3D -- can present his own movies however he wants, even if Warner Bros. would've love some extra three dimension coin from "The Dark Knight Rises," that power doesn't seem to extend to movies he executive produces. As the campaign for "The Dark Knight Rises" ends you can bet that marketing for Zack Snyder's "Man Of Steel" (which Nolan is executive producing) will start ramping up in a big way (it's pretty much a no brainer that a teaser will be attached to TDKR), and one of the first bits of info is the movie is going to be put through the conversion machine.

'Mad Max: Fury Road' Won't Shoot In 3D, But Will Be Post-Converted

  • By Edward Davis
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  • June 29, 2012 11:16 AM
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  • 4 Comments
Minor news out of Namibia today which may upset some slightly, but all in all, it shouldn't be much of a concern. George Miller's long-gestating "Mad Max: Fury Road," which had been in the works for a few years now, but was delayed for almost 24 months due to innapropriate weather conditions (Australian deserts that were too lush and green instead of barren), won't be shooting in 3D as originally planned.

Discuss: Is Rian Johnson Right About 3D Technology Still Catching Up To The Ambitions Of Filmmakers?

  • By Oliver Lyttelton
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  • June 14, 2012 12:03 PM
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  • 7 Comments
We're coming up to three years since "Avatar" became the biggest-grossing film in history, and any thought that 3D film, which James Cameron's picture helped to revive, was a flash in the pan seems to have been wishful thinking. The top two slots at the current U.S. box office are taken by two 3D films that couldn't be more unlike one another: "Madagascar 3: Europe's Most Wanted," a colorful, star-studded animated sequel, and "Prometheus," a dark, live-action sci-fi horror from Ridley Scott. And yet they happily sit side-by-side, raking in the cash without cannibalizing each other's 3D screens (not to mention those of "The Avengers" or "Men In Black 3," which are still very much in theaters). And these are hardly outliers: when you include the stereoscopic re-releases of "Titanic" and "The Phantom Menace," eight of the all time top grossers were released in 3D.

Discuss: Are 3D Re-Releases For 'Titanic' & 'Jurassic Park' Just The Tip Of The Nostalgia Iceberg?

  • By Oliver Lyttelton
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  • March 16, 2012 1:04 PM
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  • 4 Comments
Yesterday, Universal announced that they'd shifted their hopeful Tom Cruise blockbuster "Oblivion" into April, to make way for a prime, heart-of summer slot for a movie that will be twenty years old in 2013 -- a 3D re-jig of Steven Spielberg's "Jurassic Park," the one-time biggest hits of all time. And it's one of a wave of these stereo-ized re-releases, from last fall's surprise hit "The Lion King" and February's "Star Wars: The Phantom Menace" (with the sequels planned to hit over the next five years) to next month's "Titanic 3D."

Martin Scorsese Says He's Considering Making 'Silence' & Frank Sinatra Biopic In 3D

  • By Kevin Jagernauth
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  • January 2, 2012 11:12 AM
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  • 12 Comments
Despite James Cameron's best intentions, for the most part, the 3D format has primarly been utilized as a cash grab by studios looking to pad out the bottom line in an era when box office receipts appear to be on the decline. However, 2011 marked a bit of a change. At the arthouse, Werner Herzog and Wim Wenders embraced 3D for their unique documentaries "Cave Of Forgotten Dreams" and "Pina" while Martin Scorsese brought true artistry to the format with "Hugo." One of the director's most visually dazzling efforts of his career, "Hugo" found Scorsese delivering a truly immersive 3D world, one that engaged the viewer without the need to make sure stuff is constantly flying at their face. And he may not yet be done working in three dimensions.

2011: The Year In 3D

  • By Jessica Kiang
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  • December 29, 2011 2:31 PM
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  • 5 Comments
If there is a single cinematic subject that seems to unite commenters, bloggers, filmmakers, distributors and exhibitors in vehemence, it has to be the rise/fall of the exciting new format/gimmicky fad that is the post-“Avatar” 3D film. However, rather frustratingly if you’re, say, researching an article on 3D, the balance of opinion doesn’t really tip in either direction when it comes to this chatter: for every pundit who declares the format moribund and swears off it entirely, there’s another insisting that it’s here to stay and anyone who doesn’t embrace it is a luddite and a fool.

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