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Sundance Picks & More: The Playlist's Most Anticipated Indie Films Of 2012

  • By Oliver Lyttelton
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  • January 10, 2012 12:20 PM
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  • 15 Comments
In a world where studio movies often get release dates before they have a script, it's relatively easy to know what films to look forward to in the coming year. The indie world is a little trickier; films can often fly under the radar until they arrive on the festival circuit, without the wall-to-wall coverage of the tentpoles (although we do our best). But we're about ten days away from the Sundance Film Festival kicking off, and the indie line-up for 2012 will start to crystallize a little more.

The Playlist's Most Anticipated Foreign-Language Films Of 2012

  • By Oliver Lyttelton
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  • January 6, 2012 10:35 AM
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  • 10 Comments
Forget the multiplex, what's going to be heating up the arthouse this year? 2011 saw some fantastic foreign flicks not only crowding top ten lists ("Uncle Boonmee Who Can Recall Past Lives," "A Separation," "Le Havre," etc) but even some like the ode-to-silent-cinema "The Artist" entering serious Oscar chit chat. Nearly every weekend, smaller arthouses showcased exciting alternatives to the general empty-headed nonsense that fills the bigger arenas when it's not October, November, and December. If you had the eyesight for subtitles and were willing to take a chance, there was a remedy for every "Cowboys & Aliens" just around the corner.

The Playlist's Most Anticipated Escapist/Popcorn Films Of 2012

  • By Oliver Lyttelton
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  • January 5, 2012 10:31 AM
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  • 38 Comments
Admittedly, Team Playlist is an oddball collection of cinephiles, snobs and genre-dorks, sometimes only unified by one thing: a healthy dose of skepticism in a world largely occupied by wishful-thinking fanboys. But this diversity means that we can be at once cynical optimists and optimistic cynics.

The Playlist's 50 Most Anticipated Films Of 2012

  • By Oliver Lyttelton
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  • January 4, 2012 12:02 PM
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  • 58 Comments
Well here we are, in the brave new world of 2012. And at present, it's not too scary, although we swear that we'll beat the next person to death who makes a joke about the Roland Emmerich film. And after a 2011 that turned out to be a pretty decent year for cinema (if not necessarily one for the ages), we're now staring out across a few months that seem fairly barren, as the early months of the year always do.

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