The Playlist

Review: Terrifying, Suspenseful Thriller 'Blue Ruin'

  • By Gabe Toro
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  • April 22, 2014 6:59 PM
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  • 1 Comment
Blue Ruin
Dwight (Macon Blair), the lead character of “Blue Ruin,” is a haggard, defeated, middle-aged man. His clothing clings to him, as if to avoid callously slipping to the ground. His beard seems to have formed on his face the way weeds gather on undernourished lawns. One of our first glimpses of his eyes come from the way they gape when he finds out people are home, and he’s naked in the bath. His mad dash reveals this is not his house. But those eyes remain troubled even when he’s not using the homes and resources of others. The sense is that Dwight hasn’t been home for years, and he hasn’t felt at home within himself for even longer.

10 Movies To See In April

  • By Kristen Lopez
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  • April 1, 2014 11:08 AM
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  • 4 Comments
10 Movies To See In April
We’re inching ever close to the 2014 summer blockbuster season, but that’s not to say April is lacking its fair share of spectacle and bombast. This month’s ten movies to see ranges from Marvel’s latest to a mess of independent fare moving away from the festivals and into your local multiplex. It’s time to see what’s worth plunking down your dollars and cents for this month at the movies.

Watch: Trailer For Cannes Prize-Winning Thriller 'Blue Ruin'

  • By Kevin Jagernauth
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  • January 17, 2014 2:42 PM
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  • 1 Comment
Blue Ruin
A Cannes prize winner, a film we called "terrifying, and excitingly singular" out of TIFF, and a movie that landed on the top ten of 2013 for at least one member of The Playlist, "Blue Ruin" is coming off a strong festival run last year and is now headed to theaters. And a new trailer has arrived to convince you to see it if our praise didn't do it enough justice.

TIFF Review: Suspense Thriller 'Blue Ruin' Is Terrifying, And Excitingly Singular

  • By Gabe Toro
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  • September 5, 2013 12:05 PM
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  • 0 Comments
Blue Ruin
Dwight (Macon Blair), the lead character of “Blue Ruin,” is a haggard, defeated, middle-aged man. His clothing clings to him, as if to avoid callously slipping to the ground. His beard seems to have formed on his face the way weeds gather on undernourished lawns. One of our first glimpses of his eyes come from the way they gape when he finds out people are home, and he’s naked in the bath. His mad dash reveals this is not his house. But those eyes remain troubled even when he’s not using the homes and resources of others. The sense is that Dwight hasn’t been home for years, and he hasn’t felt at home within himself for even longer.

Sony Pick Up Cannes Hit 'The Past,' Sundance Selects Take The Dardennes' Marion Cotillard-Starring Next Project

  • By Cain Rodriguez
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  • May 20, 2013 4:30 PM
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  • 1 Comment
With every major festival that arrives there’s more chances for hopeful filmmakers to ink deals that would put their films in front of paying audiences, so of course with the Cannes Film Festival in full swing there’s a whole smorgasbord of distribution news.

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