- By Christopher Bell
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- October 1, 2011 3:20 AM
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- 4 Comments
With the recent upsurge in quality TV programming and the ensuing embracement by cinema-goers, it was only a matter of time before film festivals actually started programming pieces originally made for the tube. Both "Carlos" and "The Red Riding Trilogy" were of this ilk; flicks broadcast on the small-screen that retained their cinematic quality but took advantage of the long-form storytelling television provided. "Dreileben," the latest of these undertakings, centers on a murder across three feature films each with their own perspective. Things open innocently with a youthful romance, the loose murderer and subsequent manhunt only lurking in the background. Out of sight, out of mind -- but it only lasts for so long. The second feature involves an out-of-towner psychologist helping with the investigation and the third follows the "villain" himself. Much like 'Red Riding,' this triptych is helmed by different directors: Christian Petzold ("Jerichow"), Dominik Graf ("A Map of the Heart"), and critic Christoph Hochhäusler ("The City Below"), each of them part of the "Berlin School" clique in contemporary German cinema.
Recent Comments
I completely agree with Danny below. It is especially obvious that #2 on this list is a stretch and
Wow i'm glad you don't make movies!!!
Its an Extinction level event, what do you expect...go watch Captain America if thats how you feel.
Finally someone who gets it. I thought I was the only one who was disturbed by the senseless
I remember him saying in an interview with Harry Knowles that current projectors are actually
Nice job coming off like a film blog jock in this article. "If you care about this nerdy
Just for clarity's sake, he was the writer of Easter Promises. Not the helmer.
I agree with most of the objective review here. One massive bug-bear for me was the presence of 4 or
I like the pick for Quicksilver for the Avengers more than the pick for X-men. I want to know more
That was my issue too. I don't mind this plot twist, but there's no time for reflection in