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NYFF '11 Review: 'Dreileben' Is An Accomplished, Dense Trilogy Spanning Murder, Love & More

  • By Christopher Bell
  • |
  • October 1, 2011 3:20 AM
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  • 4 Comments
With the recent upsurge in quality TV programming and the ensuing embracement by cinema-goers, it was only a matter of time before film festivals actually started programming pieces originally made for the tube. Both "Carlos" and "The Red Riding Trilogy" were of this ilk; flicks broadcast on the small-screen that retained their cinematic quality but took advantage of the long-form storytelling television provided. "Dreileben," the latest of these undertakings, centers on a murder across three feature films each with their own perspective. Things open innocently with a youthful romance, the loose murderer and subsequent manhunt only lurking in the background. Out of sight, out of mind -- but it only lasts for so long. The second feature involves an out-of-towner psychologist helping with the investigation and the third follows the "villain" himself. Much like 'Red Riding,' this triptych is helmed by different directors: Christian Petzold ("Jerichow"), Dominik Graf ("A Map of the Heart"), and critic Christoph Hochhäusler ("The City Below"), each of them part of the "Berlin School" clique in contemporary German cinema.

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