- By Gabe Toro
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- October 27, 2011 8:21 AM
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- 4 Comments
It’s unfortunate, but there’s a Movie Content Hierarchy. Great filmmakers don’t pretend this exists -- Darren Aronofsky makes a horror movie and genre-hating critics love it, and former Fangoria mainstay David Cronenberg maintains his integrity and themes of perversion and body modification while becoming a boutique festival filmmaker. But more often than not, directors, screenwriter and producers are beholden to the unimaginative thought of “this is how it is meant to be done.” More specifically, films from other parts of the world, particularly smaller ones, have their own vocabulary, their own rhythms and idiosyncrasies. Gela Babluani’s “13 Tzameti” is one of those films, a slow burn thriller from France shot in stark black and white and featuring minimal accoutrement in terms of score, outsized performances, or onscreen violence. It’s a picture that aims low but with laser-sharp precision, to the point where you felt that Babluani was a major storytelling talent with little affection for sentimentality or empty showmanship.
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