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The Playlist

Cannes Review: Matthew Warchus' Moving, Progressive Crowd-Pleaser 'Pride' Starring Bill Nighy, Dominic West & Paddy Considine

  • By Oliver Lyttelton
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  • May 26, 2014 8:03 AM
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  • 2 Comments
It sometimes feels that the British film industry only makes about three or four different kinds of movies: dreadful gangster films that rarely get a release abroad, gritty social realism pictures, period costume dramas, and semi-quirky comedies with a tearjerking side, exemplified by something like "Billy Elliot" or "The Full Monty," but more often turning out like "Calendar Girls" or "Song For Marion."

LFF '11 Review: Rebecca Hall Chiller 'The Awakening' Is Flawed, But Also Kind Of A Blast

  • By Oliver Lyttelton
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  • October 25, 2011 3:49 AM
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  • 1 Comment
It might seem ingracious to complain, but film festivals can sometimes be something of a slog. For every transcendent piece of cinema, there are two or three well-meaning, firmly mediocre pictures clogged with mental illness, child abuse and miserable sex. Which is exactly why most film festivals mix it up a little, with a midnight genre strand, or just introducing something a little more...fun into the mix.

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