- By Drew Taylor
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- November 18, 2010 4:16 AM
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- 2 Comments
When "Biutiful," Alejandro González Iñárritu's searing and deeply-moving (and, granted, at times painfully difficult-to-watch) new film debuted at Cannes this past summer, it was almost universally cut down to size. People said it was too bleak, too hopeless, and no matter how stellar and immersive a performance lead Javier Bardem provided -- and, trust us, it's spectacular; the film's one element that was unanimously praised -- most critics couldn't get behind it (Bardem would go on to win the Best Actor prize in Cannes). Maybe it was the heat stroke, the film festival nature of cramming in four or five films a day, or the looking-for-the-next-big-thing attitude that permeates Cannes, but the film was, at best, unfairly overlooked and, at worst, almost universally derided.
Recent Comments
"...with a complete lack of progression to the narrative." "This man is not our
im not a grammar nazi in the slightest but dear lord can someone read over these posts just once
I totally disagree, the movie really wasn't spectacular. IT HAS NOTHING to do with Christopher
What kind of fucked bullshit is this?.....oh wait....I said it....
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uh . . . Because it's Magicians and Con men fighting Hitler (cool enough already) written by
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Damn. He cut out like that last scene. Just... black. RIP