The Playlist

Peter Pan Prequel Will Be Next Directorial Effort From 'Hunger Games' Helmer Gary Ross

  • By Benjamin Wright
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  • August 21, 2012 3:01 PM
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  • 3 Comments
Now that the dust has settled around “The Hunger Games” helmer Gary Ross’ exit following the first entry in the multi-million dollar film adaptation of Suzanne Collins’ popular book series, it looks as if he’s finally decided to start picking that next project he can use his 'Hunger Games' cachet on to get going. He did sign on for "Houdini" over at Summit, and while he was rumored to be eyeing "Tarzan" at Warner Bros., we were told the director would not be swinging from the jungle vines anytime soon. Instead, it was revealed Ross would be heading to Neverland with Disney, tackling the tale of another group of kids – albeit ones who never grow up.

Gary Ross To Direct Disney Peter Pan Prequel 'Peter And The Starcatchers'

  • By Kevin Jagernauth
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  • July 17, 2012 5:55 PM
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  • 0 Comments
After exiting "The Hunger Games" franchise earlier this year, director Gary Ross has been kicking the tires on a few movies. He signed on for "Houdini" over at Summit, and while he was rumored to be eyeing "Tarzan" at Warner Bros., reps for the director told us that simply wasn't the case. But having already proven he can get a new franchise off the ground, Disney is hoping he can take an established name to the next level.

David Yates & Susanna White Circling 'Tarzan' At Warner Bros.

  • By Kevin Jagernauth
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  • June 18, 2012 12:37 PM
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  • 4 Comments
Update: Reps for Gary Ross inform us that he is not pursuing the Tarzan project at Warner Bros.

'The Hunger Games' Director Gary Ross Conjures Up 'Houdini'

  • By Kevin Jagernauth
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  • May 2, 2012 3:25 PM
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  • 0 Comments
With "The Hunger Games" director Gary Ross having officially moved on from the blockbuster franchise, with a desire to do something different, he has now signed up to tackle a famous historical figure and an adventure movie all at once.

Who Should Direct 'Catching Fire'? 5 Directors We Think Could Do The Job

  • By Oliver Lyttelton
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  • April 11, 2012 9:59 AM
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  • 20 Comments
So, writer-director Gary Ross, having helped make "The Hunger Games" into a gigantic hit, has decided to move on to new pastures. As we reported last week, Ross will be focusing on a new project, and after a few days, Lionsgate officially confirmed he will not be helming "Catching Fire," with both the studio and the director issuing formal statements.

Toldyou: Gary Ross Is Not Directing 'The Hunger Games' Sequel 'Catching Fire'

  • By The Playlist
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  • April 10, 2012 10:29 PM
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  • 31 Comments
Well, we told you. All the hedging from PR reps and Lionsgate could not delay the inevitable. Gary Ross is leaving the “Hunger Games” franchise like we said he would. No, it’s not he’s leaving “after all” and no, it wasn’t premature. Well, it was if you were some of the media on the outside that was eating the sandwich that was being sold, but like we said, this was always the intention.

Exclusive: Gary Ross Leaves 'The Hunger Games' Franchise, Won't Direct 'Catching Fire' Sequel

  • By Kevin Jagernauth
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  • April 6, 2012 11:02 AM
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  • 94 Comments
While this morning it was reported that Lionsgate and Fox worked out their scheduling issues to allow Jennifer Lawrence to shoot "Catching Fire" and the "X-Men: First Class" sequel essentially back-to-back, it looks like before cameras can start rolling on "The Hunger Games" sequel this fall, the studio will need to find a director. The Playlist has learned that Gary Ross has officially exited the franchise and will not direct the sequel, formally giving Lionsgate and Summit his notice earlier this week, that he will not be coming back.

As Helmer Gary Ross Plays Hardball With Salary, Could 'Hunger Games' Sequel 'Catching Fire' End Up With A New Director?

  • By Oliver Lyttelton
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  • April 4, 2012 1:11 PM
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  • 11 Comments
"The Hunger Games" is that rarest of things in the movie industry: an unqualified smash hit. In a world where tentpoles cost upwards of $200 million, Lionsgate's adaptation of Suzanne Collins' popular young-adult novel cost far less, but is doing the same kind of numbers: after the third-biggest opening weekend of all time, it's now taken more than $250 million in the U.S. alone, and half as much again abroad, making everyone involved very, very happy. But as franchises from Marvel to "Twilight" have displayed, once the studio starts making money, everyone else wants in on the action, and that starts to mess around with the business model.

Girl On Fire: 5 Things That Worked In 'The Hunger Games' & 5 That Didn't

  • By Oliver Lyttelton
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  • March 26, 2012 12:05 PM
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  • 21 Comments
If you heard the sound of popping champagne corks and cheering in Los Angeles over the weekend, it’s more than likely that it was the celebrations over at Lionsgate HQ. The mini-major were built on low-budget genre fare like “Saw,” but hoped that their adaptation of young-adult publishing phenomenon “The Hunger Games,” co-written and directed by “Seabiscuit” helmer Gary Ross, would push them into the blockbuster game for the first time. And boy, did it ever. In only three days, it surpassed “Fahrenheit 9/11” as the company's biggest ever grosser, taking in around $155 million, making it the third biggest domestic opener of all time, and the most successful non-sequel ever. What’s more, with mostly positive reviews and an A-grade Cinemascore, the stage is set for two sequels that will be licences to print money.

Review: 'The Hunger Games' Is Thoughtful, Thrilling Popular Entertainment That Genuinely Deserves To Be A Franchise

  • By Todd Gilchrist
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  • March 16, 2012 9:01 AM
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  • 12 Comments
Complexity and understatement are two criminally under-utilized values in most mainstream movies these days, but they’re at the core of, and the chief reason for the success of “The Hunger Games.” Director Gary Ross, screenwriter of the proletariat presidential fantasy “Dave” and writer-director of the social-consciousness-as-sci-fi tome “Pleasantville,” has always engaged his subjects with a light and yet substantial touch, but his adaptation of Suzanne Collins’ acclaimed young-adult novel is a truly remarkable achievement: he turns escapism into a deeply emotional experience. Instantly razing comparisons – qualitative especially -- to other female-friendly series such as “Twilight,” “The Hunger Games” is the first film in a long time that deserves Hollywood’s instant-franchise ambitions because it appeals to genre fans regardless of gender by crafting a story that’s both epic and intimate, spectacular and subtle.

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