The Playlist

In Theaters: 'Marley' Is 'The Lucky One' While We Say 'Goodbye First Love' To 'Think Like A Man' & Peruse 'The Moth Diaries'

  • By Emma Bernstein
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  • April 20, 2012 5:58 PM
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  • 1 Comment
Spring is here, folks! New love and life are upon us now that the dreary, ice-cold fingers of winter have withdrawn. Loosely translated into the logic of releasing films, this means documentaries and romance melodramas abound! They pop up from studios like daisies from freshly hoed lawns. Head to theaters this weekend and take in the sweet love of soldiers, vampires, Rastafarians, and even chimpanzees. And don’t forget to stop and smell the flowers on your way.

Review: 'Goodbye First Love' Looks At Young Romance Without Affection

  • By Christopher Bell
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  • April 17, 2012 3:07 PM
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  • 3 Comments
Television and movies love to indulge us in pre-adulthood nostalgia. Whether the bait is loose (young hooligans causing a ruckus) or more specific and event-oriented (prom, which we've seen less of lately because, well, prom sucks), the powers that be tug at our heartstrings and force us to look back at a time free of major responsibilities and full of fresh experiences. The glazed schmaltz can be off-putting for some, but occasionally sincerity shines through, and we get something that captures the emotions extraordinarily well (for this writer's money, "The Virgin Suicides" and "The Girl" are uneven but nail certain feelings on the head). But if we look back without this fondness, what are these stories? Are they merely happenings that somehow affected the person we become, or are they just the product of naive children that didn't know better? Mia Hansen-Løve's "Goodbye First Love" attempts a critical look at a teenager's first relationship without wooing us first with their blithe beginnings, but has very little to say about the topic.

NYFF Review: 'Goodbye First Love' Looks At Young Romance Without Affection

  • By Christopher Bell
  • |
  • October 23, 2011 6:25 AM
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  • 2 Comments
Television and movies love to indulge us in pre-adulthood nostalgia. Whether the bait is loose (young hooligans causing a ruckus) or more specific and event-oriented (prom, which we've seen less of lately because, well, prom sucks), the powers that be tug at our heartstrings and force us to look back at a time free of major responsibilities and full of fresh experiences. The glazed schmaltz can be off-putting for some, but occasionally sincerity shines through and we get something that captures the emotions extraordinarily well (for this writer's money, "The Virgin Suicides" and "The Girl" are uneven but nail certain feelings on the head). But if we look back without this fondness, what are these stories? Are they merely just happenings that somehow affected the person we become, or are they just the product of naive children that didn't know better? Mia Hansen-Løve's "Goodbye First Love" attempts a critical look at a teenager's first relationship without wooing us first with their blithe beginnings, but has very little to say about the topic.

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