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The Playlist

Marrakech Interview: Kore-eda Hirokazu On Technique, Spielberg's Remake Of 'Like Father Like Son' & More

  • By Jessica Kiang
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  • December 2, 2013 5:01 PM
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  • 0 Comments
In person, Japanese director Kore-eda Hirokazu is gentle and thoughtful, with a frequent warm, shy smile--of the directors we've met, he perhaps comes closest to being the true embodiment of his films. But his humility, which was even touched on during his introduction at the Marrakech International Film Festival tribute that followed our interview, is all the more remarkable for the body of work it covers: since establishing himself instantly as a filmmaker of rare sensitivity with 1995's "Maborosi," and breaking through internationally with his vision of a bureaucratic yet sympathetic Purgatory in "After Life," he has brought films to Cannes four times, and earlier this year won the Jury Prize and the Ecumenical Jury Prize for the extraordinarily affecting "Like Father Like Son."

Cannes Review: 'Like Father, Like Son' A Tender, Loving Portrait Of Parenthood

  • By Kevin Jagernauth
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  • May 18, 2013 9:12 AM
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  • 2 Comments
Like father, like son,  BY HIROKAZU KORE-EDA
How is being a parent defined? By your actions, or does the simple virtue of being related by blood automatically give you that title? Those questions and more lie at the core of "Like Father, Like Son," a tender and involving portrait by Kore-Eda Hirokazu that centers on two set of parents -- and one father in particular -- who find the relationships to their sons severely tested, forcing them to reassess everything they thought that new about them and about themselves, as well.

VIFF '11 Review: 'I Wish' The Rare Example Of A Great Kids Film That Actually Understands Kids

  • By Erik McClanahan
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  • October 7, 2011 6:02 AM
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  • 3 Comments
The frustrating thing about most modern "kids films" is that many filmmakers seem like lost balls in tall grass when it comes to portraying what makes children tick. Perhaps it's tougher than we imagine to capture the youth/kid experience, but is it just us or does it seem like nearly all child characters in movies exist in some bizarro world where they're smarter than the all the adults, know just the right thing to say at every moment and hardly ever act like, you know, kids? (See every American indie and Hollywood rom-com from the last 10 years for examples of this annoying, ridiculous trend). That's why, when a thoughtful, intelligent director takes the reins of such a film, one that actually remembers and respects what it was like to be a kid, the result can be so refreshing. In the best examples of the genre from recent memory -- "Where the Wild Things Are" and "Super 8" (which, this writer only found to be half a great movie, the great half being the portion involving kids being kids, making movies; it's impossible to deny the skill of those actors and their characterizations) -- the filmmakers decided from the outset to make a proper film first and foremost. The fact that the story is played out with children as our main characters is almost a moot point. Almost.

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