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Matthew McConaughey Says Nolan Loved 'Mud' & ‘Interstellar’ Wrapped Early Plus Watch 8-Bit Version of ‘Inception’

  • By Charlie Schmidlin
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  • February 20, 2014 10:21 AM
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  • 0 Comments
Inception 8-Bit
The teaser trailer for Christopher Nolan’s “Interstellar" released last year, contained a predictably scant amount of information—a teary-eyed Matthew McConaughey and elegant title design is about all we got—and one couldn’t tell if it was secrecy or simply lack of footage that prompted that result. Thanks to McConaughey’s unstoppable acting streak and the attention paid to it though, we’ve got some new info that suggests Nolan has forged ahead with an even quicker pace than expected.

Who Really Created The 'Inception' BRAAAM? Composer Mike Zarin Sets The Record Straight

  • By Kevin Jagernauth
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  • November 13, 2013 1:18 PM
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  • 25 Comments
It has become nearly omnipresent in blockbuster trailers, it was the defining characteristic of a major movie campaign, it has become as recognizable as any piece of score or movie music, and you know it as one single, stomach rumbling note: BRAAAM! Ever since it accented the mysterious world Christopher Nolan was conjuring for "Inception," there has been an equally enigmatic air surrounding just who is the true creator of this dark musical motif. Most of us assumed we had it figured out when Hans Zimmer shared last week how the sound was created, along with his disdain for its overuse in movie spots. But his involvement is just a small part of a much bigger story. And composer and sound design Mike Zarin, after reading Zimmer's comments, reached out to us to finally clear the air on how the BRAAAM was made and the journey it took through the advertising campaign for "Inception." And how should he know? Because Mike Zarin created it.

Hans Zimmer Feels "Horrible" When His 'Inception' BRAMMS Are Used In Movie Trailers

  • By Kevin Jagernauth
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  • November 6, 2013 11:13 AM
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  • 33 Comments
Hans Zimmer
Once Hollywood finds a motif they like for movie trailers, they stick with it. Clint Mansell's "Lux Æterna" from "Requiem for a Dream" and John Murphy's "Sunshine (Adagio in D Minor)" are just a couple of score pieces that seem to get trotted out every couple months for yet another piece of advertising. And recently, another selection has joined those ranks: the BRAAMS created by Hans Zimmer for Christopher Nolan's "Inception." In fact, we even pointed out 10 Trailers That Use & Abuse that sound. But how does the composer himself feel about it?

Watch: Supercut Gathers Up Every Question Ellen Page Asks In Christopher Nolan's 'Inception'

  • By Kevin Jagernauth
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  • July 1, 2013 5:56 PM
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  • 27 Comments
It was about this time three years ago, when barely anyone could contain their excitement for Christopher Nolan's "Inception." The film was just a couple weeks away from release and subsequently blowing minds. The puzzle box blockbuster, perhaps one of the smarter summer movies to come along in quite a few years, managed to take dreams and multiple levels of reality, and make them breathlessly linear and easy to navigate. It was a pretty magnificent thrill ride all around but the nearly perfectly constructed movie wasn't without it's minor flaws.

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