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The Playlist

Interview: Apichatpong Weerasethakul Wants To Work With Chiara Mastroianni & Joan Allen

  • By Christopher Bell
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  • May 17, 2011 6:44 AM
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  • 5 Comments
Also Downplays Tilda Swinton Collaboration, Loves David Fincher But Not 'Social Network'With the latest season of Cannes coming close to an end, what better time than look back at last year's Golden Palm winner?

Joseph Gordon-Levitt Says His 'Hesher' Character Was Loosely Modeled After Metallica's Cliff Burton

  • By Leah Zak
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  • May 12, 2011 9:50 AM
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  • 1 Comment
Plus Director Spencer Susser & Star On Their Unique Central CharacterAs far as family dramas go, “Hesher” is somewhat of a different breed. The story of a father and young son suffering the recent loss of their wife and mother, things seem to take a turn for the worse, when TJ (the son) accidentally brings an anarchist metal head into his grandmother's home and his family's life. While we weren't taken by “Hesher” as a whole, this writer found the film’s namesake, and chaotic center, to be one of the more fascinating characters introduced on screen in a while – and certainly another card to add to the stack of notable performances from Joseph Gordon-Levitt. We recently sat down with the actor, as well as "Hesher" writer/director Spencer Susser to hear more about the philosophy and creation of this unconventional addition to your typical family drama.

Will Ferrell & Dan Rush Talk Expanding A 4-Page Short Story For The Indie Drama 'Everything Must Go'

  • By The Playlist
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  • May 12, 2011 9:15 AM
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  • 0 Comments
Filmmakers Didn't Want The Relationship With Rebecca Hall Go Hollywood & 12 Other Things We LearnedFirst-time feature-length director Dan Rush (known for his commercial work) must have naked pictures of some studio execs' off-hours, off-marriage tryst. Either that or his screenplay for "Everything Must Go," an adaptation of a four-page Raymond Carver story must have ruled. Considering the subtle, mannered, funny, yet not-broad dramedy that stars the very excellent cast of Will Ferrell, Rebecca Hall, Laura Dern, Michael Peña, Stephen Root and newcomer Christopher Jordan Wallace, we're thinking the latter.

'Bridesmaids' Director Paul Feig: "I Want To Show Hollywood There's A Market For Female Comedies"

  • By Drew Taylor
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  • May 11, 2011 9:15 AM
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  • 0 Comments
While much of the conversation surrounding Friday's genuinely brilliant "Bridesmaids" focuses around its superstar producer, Judd Apatow. And while Apatow had a guiding hand, with the film initially sprung from a development deal the producer struck with co-writer/star Kristen Wiig after her scene-stealing turn in the Apatow-directed "Knocked Up," the man behind the camera is none other than Paul Feig. Feig created "Freaks and Geeks" and has been responsible for a number of memorable television episodes in recent years, helming installments of everything from "Arrested Development" and "Bored to Death" to "30 Rock" and "Mad Men." (He's also directed more than a dozen episodes of the stateside "The Office," including the recent departure of Steve Carell.)

Dan Rush Talks 'Everything Must Go' & The Influence Of 'Chungking Express,' 'Being There' & More

  • By Kevin Jagernauth
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  • May 11, 2011 8:14 AM
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  • 0 Comments
While he's made his living playing characters in comedies who have names like Ron Burgundy, Ricky Bobby, Brennan Huff, Jackie Moon, Chazz Michael Michaels and more recently on the small screen, Deangelo Vickers, Will Ferrell, like many comics before him, has dipped his toes into the dramatic world as well. He's turned in fine performances in films like "Winter Passing" and "Stranger Than Fiction," but perhaps nothing has challenged his non-comedic chops more to date than the upcoming indie "Everything Must Go."

Interview: Spencer Susser Talks The Birth of 'Hesher,' Accidentally Getting Into Sundance

  • By Drew Taylor
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  • May 11, 2011 5:23 AM
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  • 0 Comments
Also Reveals 'Star Wars'-Assisted Birth Of Australia's Blue Tongue Films Collective While watching the bizarrely confrontational "Hesher," opening this Friday in limited release and starring an electric Joseph Gordon-Levitt (alongside Natalie Portman and Rainn Wilson), you might think to yourself -- who the hell made this thing?

Cliff Martinez Talks Scoring 'Lincoln Lawyer' & Nicolas Winding Refn's 'Drive'

  • By Drew Taylor
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  • April 30, 2011 4:16 AM
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  • 3 Comments
Says He Loved Alexandre Desplat's 'The King's Speech' Score & Was Hoping It Would Take The OscarFor years Cliff Martinez has been producing brilliant, but often times below-the-radar, scores, doing a lot of work for Steven Soderbergh. His first score was Soderbergh’s first film -- “sex, lies, and videotape” -- and from there the two have collaborated on a number of projects, including “Solaris,” "Kafka," "The Limey" and “Traffic.” That relationship is still going strong as they will be reteaming once again, on this fall’s virus thriller “Contagion.” On the occasion that Martinez does work for another filmmaker, the results are usually just as compelling (particularly his score for Joe Carnahan’s “Narc”). We recently spoke to Martinez about his work on the legal drama and sleeper box office hit “The Lincoln Lawyer,” his process, and about what he has in store for us with his work on Nicolas Winding Refn’s Cannes-bound “Drive.”

Mark Ruffalo Talks The Music & Method Of Making 'Sympathy For Delicious'

  • By Drew Taylor
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  • April 30, 2011 3:51 AM
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  • 2 Comments
Reveals The Flaming Lips & At The Drive-In Inspired The Sound Of The Band In The FilmMark Ruffalo is the kind of unbeatable character actor that there are too few of in Hollywood these days, free of pretentions and able to totally immerse himself in any character he takes on. His choices on camera have been as varied as they have been excellent appearing in films like "Eternal Sunshine Of The Spotless Mind," "Shutter Island," "You Can Count On Me" and of course, last year's acclaimed "The Kids Are All Right."

Interview: Zach Braff Talks Micro-Budget Movies & The Challenges Of Playing An Unlikable Character

  • By Christopher Bell
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  • April 29, 2011 7:33 AM
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  • 1 Comment
After making a name for himself as the lead in the hit TV show "Scrubs" in 2001, Zach Braff stepped behind the camera in 2004 and unleashed "Garden State" on the world. You might have heard of it. This little indie that could earned over $35 million worldwide on a $2.5 million budget, had a best-selling soundtrack and resonated with a huge audience. Braff rode the rocket up, scoring lead roles in the comedy "The Ex" with Jason Bateman and Amanda Peet and, more notably, in a remake of the Italian film "The Last Kiss" with an adapted screenplay written by "Million Dollar Baby" and "Crash" writer/director Paul Haggis.

'NEDS' Director Peter Mullan Almost Helmed 'The Time Traveler's Wife' (Until He Botched The Pitch)

  • By Christopher Bell
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  • April 27, 2011 2:50 AM
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  • 5 Comments
Says 'NEDS' Is 40% Autobiographical & Talks About His Issues With Arthouse CinemaFrom bit parts in "Braveheart" and "Shallow Grave" to winning Best Actor at Cannes for Ken Loach's "My Name Is Joe," not to mention working with Steven Spielberg on the upcoming "War Horse" and securing the role of Death Eater Yaxley for the final two "Harry Potter" films, Scottish actor Peter Mullan has come a long way in a short time. Though he's well-known for his work as an actor, he's had a passion for filmmaking ever since he was 19. His first feature, "Orphans," made rounds at the Venice Film Festival and Paris Film Festival, but it was his sophomore project "The Magdalene Sisters" that really made a splash on the circuit, playing at the Toronto International Film Festival and garnering a nomination for a BAFTA Award. The drama, following three women in an asylum, was a large step forward for the filmmaker in terms of directorial style and substance; the festival-goers that caught it were impressed and eagerly awaited his follow-up.

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