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TIFF '11 Review: Guy Maddin's 'Keyhole' Beautiful And Brassy...But Frustratingly Sealed

  • By James Rocchi
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  • September 11, 2011 1:57 AM
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Let us pause, then, to contemplate the fate and fortunes of the director who does not have his or her eye set on the five-picture deal, the glossy franchise, the production wing in the bungalow offices of some major studio; what becomes of the director who only wants to make art and make it well? Canada's Guy Maddin clearly has no eye on commercial success -- rumor has it that his next feature might actually be in color -- and instead prefers to stand at the edge and peer into the abyss to look for what's next. This is a unique vantage point, to be sure, but it's also perilous if one should fall; "Keyhole" is both too much and too little, a crowded smorgasbord of genre picture tropes and haunted house tricks that leaves your eyes and brain distended with both far too much to absorb and far too little to sustain.

Venice '11 Review: 'Persepolis' Follow-Up 'Chicken With Plums' Is Amiable & Pretty, But Twee & Thin

  • By Oliver Lyttelton
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  • September 3, 2011 5:12 AM
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It can be difficult to shift from animation to live-action direction; the processes are very different, and even an accomplished animation helmer can sometimes be undone once they're faced with cameras, actors and the breakneck schedule of a feature film shoot, as opposed to the multi-year process that produces a feature cartoon. Some have managed it, Tim Burton being the most obvious example (at first, anyway...) and Pixar dons Brad Bird and Andrew Stanton are both hoping to make the leap in the next few months. But it's got to be even harder to go from working in graphic novels, to animation, to live-action, but that's been the path for Marjane Satrapi and Vincent Paronnaud in the last few years.

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