The Playlist

Watch: U.S. Trailer For 'Laurence Anyways' Is An Elegant, Beautiful Music Video Plus Clip From Film

  • By Kevin Jagernauth
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  • February 7, 2013 6:52 PM
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  • 3 Comments
With each week bringing with it at least a half dozen more movies to theaters, and countless more on VOD, not to mention film festivals and more, it's tough for any to resonate and stay above the noise. But last year, after premiering at the Cannes Film Festival, Xavier Dolan's "Laurence Anyways" was one I just couldn't shake. Flawed? Sure. But the emotion within wasn't paralleled by any other movie, and certainly the ambitious scope and brave material made it stand apart. Indeed, it landed on my Best Of 2012 list as it has already opened in Canada, but with the U.S. release on the horizon, a new trailer has arrived. And it's pretty great.

Kevin Jagernauth's Favorite Films Of 2012

  • By Kevin Jagernauth
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  • January 14, 2013 12:01 PM
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  • 7 Comments
2012 is so two weeks ago, right? Well, forgive my tardiness, but I was doing my best to catch up with as much as possible before putting this list together, but even then some films missed out. "Once Upon A Time In Anatolia," "Compliance," "Sleepwalk With Me," "Nobody Walks," "No" and a handful more...I wish I could have seen them, but it just didn't happen.

'Cosmopolis, 'Goon,' 'Laurence Anyways,' & 'Stories We Tell' Land On Canada's Top 10 Of 2012

  • By Kevin Jagernauth
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  • December 4, 2012 7:48 PM
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  • 7 Comments
Earlier this week, all across Canada, film fans lined up at their local Canadian Tire, to vote their favorite movie that the country produced. Okay, that didn't really happen, but a panel of industry types all cast their votes for Canada's Top Ten, which as you might guess, celebrates the finest in nation's cinematic output in a given a year. And this year, quite a few high profile titles made the cut (with titles ranked alphabetically, not numerically).

Xavier Dolan Talks ‘Laurence Anyways,’ His Prolific Career & His Upcoming Psychological Thriller ‘Tom a la Ferme’

  • By Charlie Schmidlin
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  • November 26, 2012 1:23 PM
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  • 0 Comments
Three service elevators, two stairwells, and one cautious yet friendly hotel employee later, Xavier Dolan locates what he and his “Laurence Anyways” actress and friend Suzanne Clément discovered the previous afternoon: A barren hotel floor halted mid-renovation, drenched in sunlight amidst stripped columns and walls, and a cloud of dust lifted with every step through it. “This floor technically doesn’t exist, if you just use the main elevators,” notes the 23-year-old director of “J'ai Tué Ma Mere (I Killed My Mother)” and “Heartbeats” as we wander around the space.

AFI Fest: 'Laurence Anyways' Stars Melvil Poupaud & Suzanne Clement Discuss Director Xavier Dolan's Process, The Late-'80s Setting & More

  • By Charlie Schmidlin
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  • November 13, 2012 3:00 PM
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  • 0 Comments
After two visually lush and emotive efforts from director Xavier Dolan -- “J'ai Tué Ma Mère” and “Heartbeats,” both of which landed him on the Cannes red carpet -- those following his latest drama, “Laurence Anyways,” should have no problem believing the film's unconventional romance, near-three-hour runtime, and late-'80s period setting as anything less than appropriately ambitious. However, two facets sure to surprise audiences within this grand narrative are the wonderfully committed lead performances from Melvil Poupaud and Suzanne Clément (the latter of whom netted a Best Actress prize in the Un Certain Regard category at Cannes this year for her work).

FilmNation Picks Up Alexander Payne's 'Nebraska,' Breaking Glass Buys Xavier Dolan's 'Laurence Anyways'

  • By Joe Cunningham
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  • October 31, 2012 1:28 PM
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  • 2 Comments
After 2011’s Oscar-winning “The Descendants,” Alexander Payne is looking for a little extra help in getting his follow-up feature “Nebraska” to the screen. The road trip flick starring Bruce Dern and Will Forte is seeking a supplement to its financing by shopping its international distribution rights. Paramount is distributing the film domestically, but FilmNation has reportedly already struck a number of key deals on behalf of Payne to get the film in front of more international audiences.

5 Fall Festival Films That Still Need Distribution

  • By Oliver Lyttelton
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  • September 18, 2012 11:00 AM
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  • 5 Comments
TIFF remains one of the biggest distribution markets in the world, and with the festival now over, some distributors are walking away with some big prizes. Focus Features took "The Place Beyond The Pines," Lionsgate and/or Roadside Attractions bought a wealth of pictures, including "Imogene," "Thanks For Sharing" and "Stories We Tell," Anchor Bay landed Rob Zombie's "The Lords Of Salem," IFC Films grabbed "Frances Ha" Magnolia won "The Brass Teapot" Dimension picked up "Aftershock," and Sony Pictures Classics took "Wadjda," and these are just a few of the deals that went down at the festival.

'Argo,' 'Rust And Bone,' 'Amour' & More Head To BFI London Film Festival

  • By Kevin Jagernauth
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  • September 5, 2012 7:58 AM
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  • 0 Comments
Telluride is wrapped, Venice heads into its final days and TIFF is just about to gear up, but the festival season is far from over. The BFI London Film Festival has dropped their slate this morning and not only is it pulling titles from all those fests, it has nabbed the best of Sundance and Cannes as well for what is a greatest hits package of sorts for cinephiles.

Watch: New French Trailer For Xavier Dolan's 'Laurence Anyways'

  • By Kevin Jagernauth
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  • July 20, 2012 12:56 PM
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  • 3 Comments
Just as we did earlier today with "Take This Waltz," here's another Canadian film we continue to trumpet, although this one is still without U.S. distribution. Xavier Dolan's bold and beautiful "Laurence Anyways" is now starting to roll out overseas after premiering at the Cannes Film Festival in May and opening in Canada not long after. And a new trailer has arrived, with new footage to tantalize those who still have yet to experience the picture.

New Images For Xavier Dolan's 'Laurence Anyways,' Is Someone Going To Pick Up This Movie?

  • By Kevin Jagernauth
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  • July 5, 2012 4:03 PM
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  • 4 Comments
With the Cannes Film Festival now come and gone, and most of the major/buzzworthy movies acquiring some kind of stateside distribution (including Leos Carax's difficult and genuinely WTF "Holy Motors"), what's the deal with Xavier Dolan's "Laurence Anyways"?

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