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The Playlist

Interview: Steven Soderbergh Talks 'Side Effects'; 'Behind The Candelabra' & Comparing 'Dragon Tattoo' Notes With David Fincher

  • By Rodrigo Perez
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  • February 7, 2013 12:04 PM
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  • 0 Comments
Steven Soderbergh is almost out the door. Last week we rolled out part one of our interview with the filmmaker about his impending retirement from cinema, his process of filmmaking, the "tyranny of narrative," and his upcoming directorial efforts on the stage (including reviving an old film project, "Cleopatra"). Today, we deliver our final part of our lengthy chat with the director focusing on his Scott Z. Burns-penned pharma-thriller-caper, "Side Effects."

'Magic Mike' Broadway Show May Include Audience Lapdances, Obviously

  • By Ken Guidry
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  • February 5, 2013 10:59 AM
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  • 0 Comments
When “Magic Mike” arrived in theaters last June, it was a rousing success. The Steven Soderbergh-directed male stripper film starring Channing Tatum and Matthew McConaughey raked in over $167 million worldwide and has subsequently spawned a franchise. Already, there is a "Magic Mike 2" in the works, as reported last July, with producer/actor Tatum declaring that they want to “make it bigger.” However, weeks before a sequel was ever announced, there had been reports that the guys behind "Magic Mike" -- screenwriter Reid Carolin with Soderbergh and Tatum producing -- were also working on turning the movie into a Broadway musical. Well, for those who have been eagerly anticipating this, here’s another reason to get jacked up about it.
More: Magic Mike

Drew Taylor's Top Ten Favorite Films of 2012

  • By Drew Taylor
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  • January 2, 2013 11:04 AM
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  • 8 Comments
2012 was all about escape. Not only in terms of the big-budget movies that offered us escape from the increasingly ugly real world (how many superheroes or swoony vampires can we stomach?), but by the content of the more adult movies. Characters wanted an escape – from slavery, from a futuristic Korea, from time-travel gangsters, from a burdensome lover – and in these stories we were afforded tremendous freedom. They transported us, for sure, while reminding us of the very real hardships 2012 afforded us all. Below are my very favorite movies of the year, all of which I will be escaping to, again and again, for years to come.

Gabe Toro's Ten Best Films Of 2012

  • By Gabe Toro
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  • December 28, 2012 9:56 AM
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  • 28 Comments
A strong year, this 2012. Every genre had its share of riches, and we were spoiled by new films from Andersons Wes and Paul Thomas, further mythmaking from Quentin Tarantino and an inquisition into our currency from David Cronenberg. We saw the continued evolution of the careers of Jacques Audiard, Rian Johnson, Craig Zobel and Ira Sachs, while William Friedkin was revitalized, and, as if by accident, two more great films tumbled out of Steven Soderbergh’s pocket. By the time Steven Spielberg cranked out his finest film in almost two decades, we were awash in riches.

2012 The Year In Box Office: Hits, Flops And Secret Successes

  • By Gabe Toro
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  • December 27, 2012 2:15 PM
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  • 4 Comments
So we’re completing a year of record domestic box office returns, but it’s impossible to ignore that the international market is a hefty player, taking a bigger overall chunk of the pie. It’s not good enough for a picture to perform in America – if it doesn’t grab more than half its share from international crowds, it’s not a complete success. The proliferation of franchises and 3D have turned most American films into our most in-demand export, and it’s changed the box office landscape immensely.

The Best Movie Music Moments Of 2012

  • By The Playlist Staff
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  • December 10, 2012 3:05 PM
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  • 30 Comments
When it first began, many, many years ago, The Playlist covered film in general, but with a particular focus on the places where movies intersected with music -- scores, soundtracks, music videos et al. And while our remit has grown over time, it's still something we take a particular interest in. After all, it's hard to think of major movies in which music doesn't play a key part, from a piece of score elevating a key sequence to a pop song that becomes inextricably linked with a film until the end of time.

Weekend Box Office: 'Ice Age: Continental Drift' Provides Box Office's Last Gasp Before 'The Dark Knight Rises'

  • By Gabe Toro
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  • July 15, 2012 11:49 AM
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  • 5 Comments
And lo, there was an 'Ice Age' franchise. “Ice Age: Continental Drift” looks like it will continue the winning tradition of animation studio Blue Sky’s crown jewel, opening at a decent $46 million. Despite the fact that the lead characters of this franchise should be extinct by now, this past-due series still managed to generate solid opening numbers despite a summer that has already seen openings from “Brave” and “Madagascar: Europe’s Most Wanted.”

Channing Tatum Reveals A 'Magic Mike' Sequel Is In The Works

  • By Kevin Jagernauth
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  • July 12, 2012 9:21 AM
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  • 3 Comments
So, are we about to see the world's first male stripper franchise? If things go Channing Tatum's way -- and these days, it seems everything is (including being a clue on "Jeopardy!" recently) -- "Magic Mike" will be taking another swing around the cinematic stripper pole.

Weekend Box Office: 'The Amazing Spider-Man' Tops Weekend, Hauls $140 Million Over 6 Days

  • By Gabe Toro
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  • July 8, 2012 12:19 PM
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  • 14 Comments
Here are some facts, without spin. The opening $64 million weekend of "The Amazing Spider-Man" is less than that of "Spider-Man 2" by about $24 million. The $140 million it has registered since it's release on Tuesday is overshadowed by the first three days of "Spider-Man 3," at $151 million. And with even ten years of inflation and enhanced 3D prices, "The Amazing Spider-Man" has yet to have a period at all like the then-record-breaking $115 million opening take of "Spider-Man." But nonetheless, these results are a huge success for Sony, and certainly they'll be happy with with the foundation laid down for what they hope will be a new trilogy of films.

Discuss: Does 'Magic Mike' Prove That Female Audiences Are Now More Reliable Than Hollywood's Staple Teen Boy Targets?

  • By Oliver Lyttelton
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  • July 2, 2012 1:54 PM
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  • 19 Comments
For those who follow that sort of thing, this weekend was one of the more interesting in a while at the domestic box office. There were four films that broke the $25 million barrier in the same weekend, a first in history, for instance. There was the unusually precipitious drop for "Brave," a worrying sign for the once-untouchable animation factory. There was the usually impressive expansion for "Moonrise Kingdom."

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