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Retrospective: The Films Of Martin Scorsese

  • By The Playlist Staff
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  • December 17, 2013 2:05 PM
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  • 32 Comments
Retrospective: Martin Scorsese
As a director Martin Scorsese ranks at the forefront of the all-time top tier of American filmmakers, but even as a presence in the film world in general he is pre-eminent. It is merely the just desserts of a life which, more than any we can think of, has been entirely dedicated, saturated and invigorated by cinema. For any of us who spend any portion of our days thinking about movies, Scorsese is, as much as we have one, a patron saint, perhaps the figure to whom the less Godly among us might whisper our evening prayers. Yet Scorsese also belies the directorial cliché of egotism, a Welles or a De Mille striding around with a bullhorn booming out orders to scuttling minions, because he has always been dinstictively softly if rapidly spoken, and thoughtful, especially when talking about cinema. Just to hear him talk about cinema is one of the great joys of the man. He is erudite, passionate and opinionated, with a film knowledge so vast that it’s hard to imagine where he ever found the time to make a single movie himself.

Marrakech Q&A: Martin Scorsese The Desire To Make Films, Suggests He Only Has A Few Left & Hopes ‘Silence’ Is Next

  • By Jessica Kiang
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  • December 9, 2013 1:08 PM
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  • 17 Comments
The Wolf Of Wall Street, Scorsese
Over the weekend at the Marrakech Film Festival, as a final treat before the red carpet got rolled up for another year, 2013 Jury President Martin Scorsese did a brief Q&A at the local film school, to which he is apparently a returning guest. Scorsese has filmed twice in the area ("The Last Temptation of Christ" and "Kundun" both made extensive use of the arid desertland around the nearby Ouarzazarte studios) and so has filmmaking ties to the region that led to the students referring to him, endearingly, as their "godfather."

Martin Scorsese Talks About Growing Up On Some 'Mean Streets' At New York's Lincoln Center

  • By Mark Zhuravsky
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  • December 22, 2011 11:03 AM
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  • 0 Comments
Writing in 2003, while inducting Martin Scorsese's “Mean Streets” into his Great Movies list, Roger Ebert deemed the film as possessing “an elemental power, a sense of spiraling doom, that a more polished film might have lacked.” Wise words from the man who counts the 69-year-old director as a friend and was the first to review Scorsese's debut “Who's That Knocking On My Door.” Ebert wasn't in the audience two nights ago, when Lincoln Center featured a screening of Scorsese's breakout third feature, 1973's “Mean Streets,” a volcanic eruption of young talent that announced to the world a soon-to-be-lauded filmmaker and a cast that would go on to have versatile careers in acting and beyond.

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