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DOC NYC Review: 'Misfire: The Rise And Fall Of The Shooting Gallery' Lovingly Chronicles Early '90s Independent Cinema

  • By Drew Taylor
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  • November 15, 2013 10:00 AM
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Nowadays, every struggling filmmaker who strains to put together the financing for his or her micro-budget feature, has a singular thought (one that’s probably repeated often throughout the process): If only I was making this movie in the early ‘90s. That, of course, was the heyday of American independent cinema, the post-“sex, lies and videotape” world where specialty shingles and mini-majors were snapping up teeny-tiny movies for millions of dollars and, what’s more, actually getting them seen by mass audiences. Hell, in my hometown, we had a fairly out-there art house theater in the mall. And one of the most famous hubs for independent cinema at this time, that proved ultimately to be a cautionary tale of expansion and ego, was New York City’s the Shooting Gallery, a tale that is lovingly chronicled in “Misfire: The Rise and Fall Of The Shooting Gallery.”

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