The Playlist

Explore More 'Moonrise Kingdom': New Illustrated Script & Concept Art Released

  • By Tess Hofmann
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  • January 18, 2013 9:17 AM
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  • 0 Comments
For fans of the characteristically dollhouse-meticulous set design in Wes Anderson’s “Moonrise Kingdom” come two extras: an illustrated script and an interview with the film’s production designer, Adam Stockhausen, on The New York Times’ The Carpetbagger blog. While the film was snubbed by the Academy in the visual categories, only snagging one nomination for Best Original Screenplay, critics agreed that Anderson again served up a tasty visual treat – so it’s no surprise to see this interest in the film’s ocular appeal.

Composer Alexandre Desplat Talks Scoring 'Zero Dark Thirty,' Working With Terrence Malick, Wes Anderson & More

  • By Drew Taylor
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  • January 10, 2013 3:06 PM
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  • 1 Comment
Few film composers had a more amazing 2012 than Alexandre Desplat. The French composer, who rose to prominence based on his lush, nearly operatic score to Jonathan Glazer's woefully underrated supernatural melodrama "Birth," had an unparalleled 2012 which included scores to (deep breath) Wes Anderson's "Moonrise Kingdom," Jacques Audiard's "Rust & Bone," Ben Affleck's "Argo," DreamWorks Animation's "Rise of the Guardians," and Kathryn Bigelow's "Zero Dark Thirty."

Oscar Nominations 2013: 'Lincoln,' 'Life Of Pi' & 'Silver Linings Playbook' Lead Academy Awards Field

  • By Oliver Lyttelton
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  • January 10, 2013 8:51 AM
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  • 26 Comments
So here we are. The moment that basically every film fan (even if some are openly hostile to the idea) sees as their Superbowl; the announcement of the Academy Award nominations, for the 85th time, in this case. Seth MacFarlane and Emma Stone took to the stage at 5.30 PST to deliver the news, after months of the usual feverish speculation. So how did things turn out?

Jessica Kiang’s Favorite Films Of 2012

  • By Jessica Kiang
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  • January 4, 2013 1:56 PM
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  • 11 Comments
Step into my limousine and let’s drive around in the dead of night trying to find the corpses of 2012’s best films, shall we? Our journey will take us to the cornfields of Kansas, to tiny New England islands and to an explosion in a restaurant in Tel Aviv. We will talk to murderers and movie directors, we will celebrate friendship in Barcelona and suffer despair in the Phillippine jungle; we will get punched in the supermarket and mourn Phil Coulson. And then, just as we are sipping Fernet Branca in an Italian café, mercifully the apocalypse will arrive from below and that will be that.

Gabe Toro's Ten Best Films Of 2012

  • By Gabe Toro
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  • December 28, 2012 9:56 AM
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  • 28 Comments
A strong year, this 2012. Every genre had its share of riches, and we were spoiled by new films from Andersons Wes and Paul Thomas, further mythmaking from Quentin Tarantino and an inquisition into our currency from David Cronenberg. We saw the continued evolution of the careers of Jacques Audiard, Rian Johnson, Craig Zobel and Ira Sachs, while William Friedkin was revitalized, and, as if by accident, two more great films tumbled out of Steven Soderbergh’s pocket. By the time Steven Spielberg cranked out his finest film in almost two decades, we were awash in riches.

New Yorker's David Denby Names 'Lincoln,' 'Zero Dark Thirty' & More As Best Movies Of 2012

  • By Kevin Jagernauth
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  • December 19, 2012 3:33 PM
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  • 3 Comments
David Denby may think that cinema is dead (or dying), but maybe the dude needs to get out more. The New Yorker film critic has dropped his list essay on the Best Movies Of 2012, and for a guy has found a lot of fault for how the studios make movies, his list features lots of studio and studio indie fare. Just sayin'.

'Holy Motors' Tops Film Comment's Top 50 Films Of 2012, 'The Master,' 'Moonrise Kingdom' & 'Amour' In Top 10

  • By Kevin Jagernauth
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  • December 14, 2012 4:16 PM
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  • 14 Comments
Another awards season week draws to a close, and another poll drops, this time from Film Comment. And a few cinephile favorites feature in the top ten of a fifty strong list.

Oscars: Where Do The Best Picture Contenders Stand After The SAG & Golden Globe Nominations?

  • By Oliver Lyttelton
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  • December 13, 2012 2:24 PM
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  • 6 Comments
It's the end of a busy-ass awards week, and a pretty crucial one as far as the Oscar season goes. Within the space of a few days, we've had the LA Film Critics Circle announcements, the Critics Choice Award nods, the SAG nominations and, this morning, the Golden Globe nominees being revealed.

Basically Every Movie Nominated In BFCA Critics Choice Awards Lineup; 'Lincoln' Leads Field

  • By Oliver Lyttelton
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  • December 11, 2012 12:34 PM
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  • 3 Comments
Another day, another set of awards nominations, and while the rest of the week brings the SAG and Golden Globes announcements, today is the turn of the Broadcast Film Critics Association Awards (generally known as the Critics Choice Awards), a mainstream-leaning group now in their 18th year. A little more high-profile than some, thanks to having their ceremony televised of late, they've embraced stardom even more this year, with the introduction of various A-list-attracting categories like Best Actor/Actress in a Comedy.

'The Dark Knight Rises' Makes AFI's Top 10 Of The Year, But No Sign Of 'The Master'

  • By Kevin Jagernauth
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  • December 10, 2012 3:36 PM
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  • 19 Comments
More rankings! As Oscar prognosticators puzzle, fret and worry over each top ten list that drops, a few patterns are becoming clear -- firstly, everyone loves "Zero Dark Thirty." And secondly, it looks like outside of a couple of categories, Paul Thomas Anderson's "The Master" won't be making much of a mark on the Oscar race. And indeed, the AFI shut it out entirely.

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