- By Christopher Bell
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- March 16, 2011 2:30 AM
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- 0 Comments
Despite a rather large and enthusiastic critical embrace of American neo-neo realism ("Wendy and Lucy," "Goodbye Solo," "Ballast," and a few others), there haven't been many (if any) new players entering the field. By contrast, mumblecore micro-indies are cropping up like corn, with young directors seizing the me-too attitude and grabbing shitty cameras to capture characters in apartments talking about relationships or focusing on their own inadequacies. Some are different, some are great, and like anything, you have to wade through the shit (which still get perplexing amounts of overenthusiastic quotes) in order to find the few artists pushing for something more. The neo-neo's are fewer in numbers but they're generally all worthwhile in some way, using their own brand of minimalism not to film conversations but to start them.
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Hahahahahaha
It will be rated R. One of my teachers got to see an advanced screening. He said it was bloody
They are not cutting the shower scene. It's still there according to the trailer.
Guy was a goddamned legend. He'll be missed.
;-(
"And while it's hard to fault a film for being exactly what it sets out to be and nothing
He was also in Geoffrey Fletcher's directorial debut that came out a few weeks ago: Violet
Ha! Hats off to you bro, that just made my day. In all seriousness, you are right. Even Lasseter
R.I.P. - J.G. >>> He didn't starr in "Hemingway & Gellhorn" but in
Writing this off as "mommy porn" is so easy. Just another label for something that has