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The Playlist

Restored Films By Martin Scorsese, Nicholas Ray, Alain Resnais & More Headed To New York Film Festival 2013

  • By Kevin Jagernauth
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  • August 26, 2013 4:19 PM
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  • 2 Comments
No sleep for cinephiles as the fall festival season keeps stacking one enticing movie upon another. In case you thought it was only new movies worth paying attention to, guess again, as the New York Film Festival has unveiled a slate of restored films (along with with their Documentary, Applied Science and How Democracy Works Now programming) that will be heavenly manna for those looking to check out classic films in crisp new editions.

New York Film Festival: 'Inside Llewyn Davis,' 'Nebraska,' 'The Immigrant' & More Round Out 2013 Slate

  • By Kevin Jagernauth
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  • August 19, 2013 12:32 PM
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  • 2 Comments
NYFF: 51, Inside Llewyn Davis, Only Lovers, Warmest Color, Immigrant
So, for folks wondering where Cannes movies like the Coen Brothers "Inside Llewyn Davis," Alexander Payne's "Nebraska," James Gray's "The Immigrant" and Jim Jarmusch's "Only Lovers Left Alive" were going to land on the fall festival circuit, they're going to New York City.

Spike Jonze's 'Her' To Close NYFF & 'Saving Mr. Banks' To Cap London Film Festival

  • By Kevin Jagernauth
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  • August 8, 2013 12:25 PM
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  • 0 Comments
We have more big festival announcements today for two movies expected to make waves in the coming months. And no, they don't involve the already stellar line up at TIFF, but instead, they find two more fests nabbing some pretty big titles for their closing slots.

New York Film Festival Names 'The Secret Life Of Walter Mitty' As Their Centerpiece Selection

  • By Kevin Jagernauth
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  • August 1, 2013 1:22 PM
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  • 1 Comment
The Secret Life Of Walter Mitty
It looks like Fox is treating the New York Film Festival as a lucky charm, and why not? Last year, the festival provided the world premiere for Ang Lee's "Life Of Pi," which went on to earn 11 Oscar nominations, resulting in 4 wins including Best Director. And clearly, the studio has high hopes for "The Secret Life Of Walter Mitty."

Paul Greengrass' 'Captain Phillips' To Open 51st NYFF New York Film Festival; Check Out New Pics & Posters

  • By Kevin Jagernauth
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  • July 29, 2013 12:30 PM
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  • 2 Comments
Captain Phillips, Tom Hanks
You can't have it all, Toronto. While the Canadian festival unveiled a slate last week that seemed to include every hot title you could think of left in 2013, today organizers of the New York Film Festival revealed that there's still much more to come, and they'll have their own big highlights that'll get cinephiles looking at the cost of flights.

NYFF: Miguel Gomes On 'Tabu' And The Pleasures And Phantoms Of Cinema

  • By Christopher Bell
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  • October 17, 2012 8:01 PM
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Behold the courage of Portuguese filmmaker Miguel Gomes: hoping to do a film in the vein of “Meet Me In St. Louis,” he and and a crew traveled to the small Arganil Municipality in the country to begin work on a movie featuring a small family band -- that is until the movie’s investor died before signing the dotted line. Instead of calling it a day, Gomes pressed on and made "Our Beloved Month of August," a doc/fiction hybrid that captured the essence of the lively environment while commenting on the fragility and banality of a film production. It’s a special, beautiful beast of a movie that unfortunately didn’t see much of a release. Luckily, Gomes has quickly followed up with the brilliant “Tabu.”

NYFF Wrap: The 4 Best Films, Plus Our Complete Coverage Of The Festival

  • By The Playlist Staff
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  • October 15, 2012 3:58 PM
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There are many reasons we like the New York Film Festival, held by the Film Society of Lincoln Center annually for the past 50 years, but among them is that, as most of our contributors are based in NYC, the whole thing is pretty much in our back garden. But even beyond that, it's always been one of the most carefully curated festivals around with a line-up that cherry picks the best from Cannes, TIFF, Venice and elsewhere, and brings them all to the Big Apple.

NYFF: 'Barbara' Director Christian Petzold Talks The Influence Of 'Klute' & Reveals What He Plans To Do Next

  • By Christopher Bell
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  • October 15, 2012 10:04 AM
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When the wall came down, German filmmakers found themselves ushered into two clusters: those that concentrated on the country’s fascist past and the others that shined light on anything else. The latter clique was hailed as pushing the medium forward; they often dabbled in social-realism with little dialogue and snail-like pacing -- and though their box office receipts were low in comparison to their brother faction, they seduced international audiences and held their ground at many of the world’s foremost film festivals. As the first and second generation of directors emerging after the split, the media dubbed their movement the “Berlin School” (a moniker they’re not thrilled over) and the team pressed on making films, a trio of them even coming together to shoot a “Red Riding”-esque trilogy in “Dreileben.”

NYFF: Robert Zemeckis And Cast Discuss The Making Of 'Flight'

  • By Gabe Toro
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  • October 14, 2012 3:25 PM
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  • 0 Comments
In "Flight," Robert Zemeckis makes a return to the world of live-action filmmaking with the story of Whip Whitaker (Denzel Washington), a pilot who performs a heroic task in engaging in risky aerial manuevers to save a crashing plane. But the morality is not that simple, as Whitaker saves one hundred lives while inebriated. However, misconception has dogged the project since its inception, and screenwriter John Gatins was on hand during the New York Film Festival screening to clarify that the story is not based on the 2009 crash where a plane was preserved by controversial pilot Chealsey "Sully" Sullenberger.

NYFF Review: Promising Alcoholism Drama ‘Flight’ Often Hits Rock Bottom

  • By Rodrigo Perez
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  • October 14, 2012 2:35 PM
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  • 4 Comments
After 12 years immersed (lost?) in the world of motion-capture, Robert Zemeckis re-emerges into live-action filmmaking for “Flight,” an engaging and initially very promising drama about alcoholism, redemption and forgiveness that grows uneven and long winded as it progresses, clocking in just under 2 hours and 20 minutes. Featuring a thrilling and terrifying opening, plus potent and moving elements of a conventional but admirable morality drama, “Flight" is often undone by its very unsubtle choices and its problematic and strained last act.

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