The Playlist

25 Films About Lovers On The Lam

  • By The Playlist Staff
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  • August 21, 2013 3:03 PM
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  • 6 Comments
Lovers On The Run feature
“We can make it. We can make it if we run,” whispers Ruth (Rooney Mara) in David Lowery’s “Ain’t Them Bodies Saints,” which, after a limited release on Friday, begins its expansion this week. It’s a film we loved at Sundance, and one that in its gentle subversion of the “Lovers on the Run” subgenre—as the prequel comic makes clear, the events of ‘Saints’ mostly take place after the bank robbin’, outlawin’ part of the story is done—reminded us of all the other great (and not so great) films that have pitted a pair of lovers against the law.

Interview: Filmmaker Susan Ray Talks About The Life Of Nicholas Ray

  • By Diana Drumm
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  • May 14, 2013 6:59 PM
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  • 2 Comments
At the recently concluded 2013 TCM Classic Film Festival we got to sit down with filmmaker Susan Ray and discuss the subject of her 2011 documentary “Don’t Expect Much” (here’s our review from NYFF ’11) and late husband, director Nicholas Ray. Nicholas Ray began as an apprentice to famed architect Frank Lloyd Wright and then decided to move out to Hollywood, and the rest is cinematic history -- as early as 1953, Jean-Luc Godard wrote, “cinema is Nicholas Ray.”

The Essentials: 5 Great Films By Nicholas Ray

  • By The Playlist Staff
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  • June 15, 2012 1:51 PM
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  • 6 Comments
While adored by the French and the Cahiers Du Cinema coterie that went on to become the rebellious French New Wave -- which spawned the oft-quoted Jean-Luc Godard phrase "cinema is Nicholas Ray" -- the American filmmaker never really received his due outside of the one film of his that most moviegoers have seen (and even then, they’re possibly unaware that he directed it): “Rebel Without A Cause.” And while that iconic 1950s film, with its audacious, expressionistic colors, its passionate angst and anguish, its mix of quiet machismo and vulnerability, is perhaps the cornerstone of many of Nicholas Ray’s films -- vibrant melodrama on the surface, percolating emotional agony within -- it’s certainly just the tip of iceberg when it comes to the director’s career.

Oscilloscope Pulls A Criterion, Pick Up Rights To Nicholas Ray's Final Film 'We Can't Go Home Again'

  • By Kevin Jagernauth
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  • August 31, 2011 5:50 AM
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  • 2 Comments
Also Release New Documentary Don't Expect Too Much'We gotta hand it to Oscilloscope Laboratories. Founded by Beastie Boys member Adam Yauch, it could so easily have become a vanity DVD label without much influence or clout, but it has quickly risen to be strong independent player both theatrically and on home video. Their roster has accomodated a wide variety of strong films from "Bellflower," "Meek's Cutoff," "The Messenger," "Exit Through The Giftshop," "Dear Zachary" and much more. They have accommodated the arthouse and foreign films equally, and now are making a big stride into tackling classic films and directors.

New Restoration Of Nicholas Ray's 'We Can't Go Home Again' To Premiere At Venice & New York Fests

  • By Oliver Lyttelton
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  • May 18, 2011 4:36 AM
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  • 2 Comments
Nicholas Ray is a truly fascinating figure. The filmmaker, who was born 100 years ago this year, directed a series of hugely influential pictures in the 1940s and 1950s, most notably "Johnny Guitar" and "Rebel Without a Cause," but never quite got the respect he was due in the States (although the Cahiers du Cinema crowd were obsessed with him), and spent much of his life in the throes of drug and alcohol addiction, working on difficult, experimental projects.

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