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Exclusive: New Images Of Gael Garcia Bernal In Pablo Larrain's Cannes Hit 'No'

  • By Oliver Lyttelton
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  • May 21, 2012 10:00 AM
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He's still relatively little-known in the U.S, but we've become huge fans of Chilean director Pablo Larrain over the last few years. The director first came on the scene with the excellent "Tony Manero," and followed it up a few years back with the equally good, but very different "Post Mortem." Neither received more than a perfunctory release in the States, but that may be about to change; Larrain's closing out his self-described trilogy looking at his birthplace under the rule of General Augusto Pinochet with "No," which premieres in Un Certain Regard at Cannes tonight, and stars international star Gael Garcia Bernal.

Cannes Review: It's Ad Men vs. Bad Men in Pablo Larrain's Exciting, Funny, Moving 'No' Starring Gael Garcia Bernal

  • By James Rocchi
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  • May 18, 2012 9:34 PM
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Playing as part of the Director's Fortnight, Pablo Larraín's "No" is exactly the kind of film you hope to stumble across at Cannes -- a film that hadn't been on your radar until buzz from too many quarters too diverse to be ignored made you seek it out, discovering a film that's extraordinarily well-made, superbly acted, funny, human, warm, principled and, yes, as enthrallingly entertaining as it is fiercely moral and intelligent. Set in Chile in 1988, "No" stars Gael Garcia Bernal as Réne, a "creative" at an ad agency. At the start of the film, he's explaining to a group of clients how this spot he's about to show them represents the new, young feeling of Chile, and how it's in tune with the youth of that country and their needs. And then he rolls … a soda commercial, full of shoulderpad-wearing rockers, exultant crowds of youth, and a mime.

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