The Playlist

What Are You Seeing This Weekend? 'The Big Wedding' of 'Mud' & 'Pain & Gain' To Be Held In Theaters

  • By Emma Bernstein
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  • April 26, 2013 1:45 PM
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  • 4 Comments
The spirit of adventure is strong for this weekend's slate of releases. We begin with the nostalgic and beautiful 1950s-era actioner about Thor Heyerdahl and his raft voyage across the Pacific Ocean -- exploring, so exciting! But there are also expeditions of a tamer, more modern sort. Michael Bay will be returning to the silver screen with loud music and 'roided-up robbers. Matthew McConaughey gets a boat stuck in a tree. An assassin must expose corrupt American government officials and rescue a pretty CIA analyst, set to the tune of flying bullets and explosions (oddly, Bay didn't direct this one). Also, a young couple embarking on the age-old expedition of marriage. So cinephiles, if you're feeling daring -- lace up those boots, mark out the route, pack your GORP and let us know in the comments how you plan to spend your weekend in Adventureland.

Review: Ulrich Seidl’s ‘Paradise: Love’ A Difficult But Provocative Watch With An Astounding Central Performance

  • By Jessica Kiang
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  • April 26, 2013 8:01 AM
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  • 2 Comments
Black/white, rich/poor, fat/thin, female/male, old/young -- these are just a few of the dichotomies explored in the first of the 'Paradise' trilogy from Austrian director Ulrich Seidl. Our chronology is a bit messed up, since we already reviewed (very favorably) the second entry “Paradise: Faith” out of Venice, but having missed ‘Love’ in Cannes, we were happy to catch up with it at a very packed screening at the Göteborg International Film Festival earlier this year. Perhaps "happy" is the wrong word: “Paradise: Love” proved a frequently uncomfortable and rather overlong watch, but we still came away profoundly impressed and not a little troubled by the questions it raises, and the unflinching, uncompromising way in which it does so.

Göteborg Review: Ulrich Seidl’s ‘Paradise: Love’ A Difficult But Provocative Watch With An Astounding Central Performance

  • By Jessica Kiang
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  • January 31, 2013 7:02 PM
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  • 3 Comments
Black/white, rich/poor, fat/thin, female/male, old/young -- these are just a few of the dichotomies explored in the first of the 'Paradise' trilogy from Austrian director Ulrich Seidl. Our chronology is a bit messed up, since we already reviewed (very favorably) the second entry “Paradise: Faith” out of Venice, but having missed ‘Love’ in Cannes, we were happy to catch up with it at a very packed screening at the Göteborg International Film Festival. Perhaps "happy" is the wrong word: “Paradise: Love” proved a frequently uncomfortable and rather overlong watch, but we still came away profoundly impressed and not a little troubled by the questions it raises, and the unflinching, uncompromising way in which it does so.

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