- By Alison Willmore
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- February 7, 2012 11:59 AM
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- 1 Comment
Homefront drama "Return" deals entirely in a creased and careworn realism, but its premise is reminiscent of the kind of theater experiments that look for a new perspective on a classic production by reversing the races of its characters or shifting the time period or setting. The basic story of artist-turned-director Liza Johnson's feature debut is familiar -- a soldier returns from war and is unable to assimilate back into civilian life, while loving family and friends grow impatient, unable to understand the difficulty. But the film's very contemporary displaced protagonist is female -- Kelli (Linda Cardellini) is a member of the National Guard coming home from a tour of duty in the Middle East. Her plumber husband Mike (Michael Shannon) has remained in the working class town in which they live, caring for their two young daughters. Despite Kelli's eagerness to be home, she finds it impossible to slip easily back into the place she once occupied, and looks around in frustration for what's changed while refusing to acknowledge that the answer may be her.
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I keep hearing great stuff about these series of books, but to be honest nothing about the film
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uh . . . Because it's Magicians and Con men fighting Hitler (cool enough already) written by
Whoa, I just pieced together the marriage of Aaron Johnson and Sam Taylor-Wood and I'm
Damn. He cut out like that last scene. Just... black. RIP
"Rango" is another film that replicated the anamorphic.
Hahahahahaha
It will be rated R. One of my teachers got to see an advanced screening. He said it was bloody
They are not cutting the shower scene. It's still there according to the trailer.
Guy was a goddamned legend. He'll be missed.