The Playlist

Interview: ‘Croods’ Directors Kirk DeMicco & Chris Sanders Talk The Differences Between DreamWorks And Pixar, Working With Roger Deakins & More

  • By Drew Taylor
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  • March 25, 2013 11:59 AM
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  • 0 Comments
This weekend, DreamWorks Animation’s new feature “The Croods” was unleashed in theaters nationwide. A zippy, prehistoric-set riff on the family-road-trip comedy, it features a clan of cavemen (and, it should be noted, cavewomen) who are forced to evolve after cataclysmic events threaten their way of life. It’s easily one of the most visually inventive and genuinely heartfelt movies to come out of DreamWorks Animation, and we were lucky enough to speak to Kirk DeMicco and Chris Sanders, co-directors of “The Croods,” about the development of the movie, the differences between DreamWorks Animation and Pixar, who their favorite cinematic cavemen are, how Guillermo del Toro and Roger Deakins helped, and why they utilized Fleetwood Mac’s “Tusk” in the score.

Roger Deakins Wins ASC Award For 'Skyfall' Cinematography

  • By Kevin Jagernauth
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  • February 11, 2013 7:58 AM
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  • 2 Comments
Back in November we asked if "Skyfall" would be the picture that finally nets Roger Deakins an Oscar for Best Cinematography. Nominated nine times ("The Shawshank Redemption," "Fargo," "Kundun," "O Brother Where Art Thou," "The Man Who Wasn't There," "No Country For Old Men," "The Assassination of Jesse James By The Coward Robert Ford," "The Reader" and "True Grit") Deakins has never actually taken home a statue from the Academy, but that could change for his tenth nomination for "Skyfall." And earning an award from his fellow colleagues over the weekend could potentially boost his chances.

Will 'Skyfall' Finally Win Cinematography Legend Roger Deakins An Oscar?

  • By Oliver Lyttelton
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  • November 9, 2012 11:01 AM
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  • 12 Comments
If there's one thing that even "Skyfall" naysayers agree on, it's that the film's cinematography looks absolutely stunning. More than anything else, Sam Mendes' master-stroke may have been bringing his "Jarhead" and "Revolutionary Road" DoP (and Coen Brothers veteran) Roger Deakins along on the adventure. And the result is an action film where every frame could hang in a gallery (the Shanghai sequence and the final set-piece in particular). It's certainly one of the best looking films of 2012.

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