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NYFF '11 Review: 'Play' Is A Confident, Complex Look At Social Issues In Sweden

  • By Christopher Bell
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  • October 19, 2011 12:58 PM
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  • 2 Comments
Festivals can be a great place to discover new, brilliant cinema, but often times the unknown films get drowned out by the heavily buzzed or the latest by a longstanding director. How many of us at the New York Film Festival saw "Martha Marcy May Marlene" and "The Kid with a Bike" but, for whatever reason, happened to miss out on "The Loneliest Planet"? It's highly likely that this writer isn't alone. Still, one person generally can't see everything a festival has to offer, so flicks that don't have Palme d'Or helmers behind them or a truckload of auspicious praise for their "breakout performer" tend to get shafted. Still, it's a must to attend those we know nothing about. Besides the fact that they deserve it, they also have something those lauded ones don't: the ability to surprise; for the viewer to go in blind and be completely taken without having known a thing about its cast or the curriculum vitae of the filmmaker. With movie news at the click of a button and various media available all over the web, this is a rare occurrence. We've had a few very pleasant whammies this year, from the social/political critiquing "Policeman" to the sweet "Corpo Celeste," and we're happy to add Ruben Östlund's "Play" to that trust.

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