The Playlist

Review: Dario Argento's 'Dracula 3D'

  • By Gabe Toro
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  • October 1, 2013 3:28 PM
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  • 1 Comment
Dracula 3D
With “Dracula 3D,” we finally know which of the great '70s genre filmmakers have fallen the hardest, and the answer is Dario Argento. The Italian horror pioneer was one of the leading lights of the giallo movement, and early career masterpieces like “The Bird With The Crystal Plumage” and “Suspiria” led the way to later triumphs like “Tenebre” and “Opera.” Most knew the director had lost a step in recent years: he closed a thematic trilogy that started with “Suspiria” and “Inferno” with the dopey gorefest “Mother Of Tears” and was also behind the borderline-unreleasable “Giallo.” But the latter case could at least be blamed on a runaway production that ran out of money, while the former was a trashterpiece delight. But there’s not a single moment of “Dracula 3D” where you don’t look at the screen, forget all about those early genre touchstones, and think, "What the hell is this?" You’d like a 3D Dracula film would be something every horror filmmaker had on their bucket list, but if Argento actually made this, it has to be because he bet someone he could make a movie blindfolded.

Review: 'The Mill And The Cross' Is A Sumptuous Visual Feast

  • By Gabe Toro
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  • September 24, 2011 12:10 PM
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  • 5 Comments
Unlike a film, a book, or a television song, a painting has infinite life. The artist weaves his narrative with a brush, his work not a mimicry but an impression of a time that comes and goes. It’s this eternal life that enlivens “The Mill and the Cross,” a biography not of a person, but of “The Way to Calvary,” a 16th century creation detailing a crucifixion in the midst of a busy field of Flanders. The painting itself is dense with detail and incidence, and a movie capturing the context of what occurs inside would go on forever.

Rutger Hauer Thinks Christopher Nolan Should Make New 'Blade Runner' Film

  • By Cory Everett
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  • April 2, 2011 5:25 AM
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  • 15 Comments
Usually when a studio announces it's digging through its archives to prequelize/sequelize/reboot its valuable properties, fans cry foul. But with certain studios taking a little more care these days with the creative teams behind those spinoffs, it's getting harder to tell the difference between a simple cash grab and genuine artistic endeavour. With Ridley Scott taking the helm of the prequel to his own classic "Alien" and lining up a pretty stellar cast, we're as hopeful as anyone that he can pull it off. And since the recent announcement that the rights had been secured for Scott's other sci-fi masterpiece "Blade Runner," fans of the cult film have wondered who might end up taking the reins. Just a few weeks ago the company who secured the rights, Alcon Entertainment, said they hadn't met with Scott yet, but the idea of him returning to the series would be "wonderful."

Liam Neeson Says He's Not Been Asked To Return For 'The Dark Knight Rises'

  • By Kevin Jagernauth
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  • March 5, 2011 7:48 AM
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  • 7 Comments
Rutger Hauer Also Says He's Not Likely To Reprise His RoleAll we know so far about "The Dark Knight Rises" is that Christian Bale will play Bruce Wayne, Tom Hardy will take on the villain role of Bane and Anne Hathaway will purr as Catwoman. But that hasn't stopped speculation from running wild and one of the longest rumors knocking around the film is that Talia al Ghul is one of the major female roles still to be cast. If true, we speculated it would likely mean she would team with Bane to seek revenge on Batman for killing her father, Ra's Al Ghul, from "Batman Begins." Badass Digest recently spilled that according to their sources, Talia will head up The League Of Shadows and Catwoman will fight alongside Batman. And while we'll have to wait to see if that's accurate, Liam Neeson has confirmed that he's not been asked to return for the sequel.

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