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'Source Code' To Become A Weekly Sci-Fi Procedural TV Show

  • By Kevin Jagernauth
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  • September 15, 2011 10:36 AM
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  • 7 Comments
While TV shows becoming movies is nothing new, movies becoming TV shows seems to happen less often -- until now apparently. The big to small screen conversion seems to be taking off in 2011, with new shows on the way or in production based on "The Transporter," "The Lincoln Lawyer" and "Anger Management," and yet another big screen outing is getting a small screen take, using material that's something different from your usual network fare.

'Source Code' Will Now Be Pirated Faster By Hitting VOD 2 Weeks Before DVD

  • By Kevin Jagernauth
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  • May 31, 2011 9:00 AM
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  • 8 Comments
The movie studios these days seem to be running around like chickens with their heads cut off. On the one hand, they're worry about the supposed trend of declining 3D ticket sales and on the other hand, they're eager to shrink the theatrical to home video window. So which is it guys? Do you want people to go to the movies or stay at home?

Weekend Box Office: 'Fast Five' Starts Off Summer With $83 Million Weekend

  • By Gabe Toro
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  • May 1, 2011 5:21 AM
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  • 27 Comments
Hooray for Hollywood, or something. The 2011 box office finally snapped out of its doldrums with more reheated crap, “Fast Five” opening to a spectacular-for-Universal $83 million. The car blockbuster’s weekend surpasses “The Lost World: Jurassic Park” as the biggest opening weekend in Universal history, and with spectacular overseas results, the film is poised to do upwards of $400-$500 million globally, topping the $353 worldwide take of “Fast And Furious,” the last film in the series.

Weekend Box Office: 'Rio' Defeats 'Madea' Before The Summer Onslaught Begins

  • By Gabe Toro
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  • April 24, 2011 4:56 AM
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  • 3 Comments
Hollywood doesn’t really recognize the seasons as clearly as you. Which is why even though you’re in school, summer begins in May, and even though you still have a full month of spring, that period usually closes in Hollywood around this time every year. In 2011, “summer” is beginning even earlier with next week’s release of “Fast Five,” sure to be the year’s biggest opener, which means that “Rio” effectively gets its licks in before the hot season begins, scoring a second straight weekend at #1 with a $26 million take.

Box Office: 'Rio' First 2011 Release To Crack $40 Million Opening Weekend; 'Scream' Goes Quiet

  • By Gabe Toro
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  • April 17, 2011 6:18 AM
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  • 9 Comments
There’s no way to sugarcoat this: it’s been a dismal year at the box office. Studios have their fingers crossed in regards to a tepid-looking summer schedule, but many were hoping the season could be kick(punch)-started early with a strong April, as two new films were tracking well over $40 million this weekend. And it looks like those hopes are for naught, as the number one movie for this period looks to be Fox and Blue Sky’s animated “Rio,” clocking in juuuust about at $40 million for the three day weekend. Yes, Hollywood, it's taken more than four months to register year's first $40 million opening weekend.

Weekend Box Office: 'Hop' Defeats Four Newcomers; 'Your Highness' Flops Loudly And Rudely

  • By Gabe Toro
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  • April 10, 2011 4:48 AM
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  • 12 Comments
Earlier in the year, the tepid box office returns were something to be ignored, as 2011 was competing with the previous year, with both “Avatar” and then the anomaly of “Alice In Wonderland” each raking in a cool billion. Well, it’s April, and it’s time for Hollywood to panic. There have been no genuine out-of-the-box hits so far this year and lots of flops, and the two (barely) $100 million grossers considered underperformers (“Rango” and “Just Go With It”). Let’s face it, part of it is a failure of marketing, but the blame must be laid on inadequate product. Even when it comes to the early year doldrums, this has been a banner year for garbage.

Weekend Box Office: Kids Come Out For 'Hop,' 'Sucker' Thoroughly 'Punch'ed

  • By Gabe Toro
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  • April 3, 2011 5:00 AM
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  • 1 Comment
While Universal’s animated division remains behind Disney and Dreamworks, “Hop” became their second straight surprisingly big opening this weekend, collecting $39 million. Most called the heavily-promoted film in the high 20’s, low 30’s, but like “Despicable Me” before it, the film definitely connected with family audiences in its first frame. While “Despicable Me” eventually collected $544 million globally with a much bigger opening, “Hop” isn’t expected to bust the doors down. But due to the seasonal and family appeal, expect this thing to have legs, and while they initially weren’t counting on $100 domestic, that should be easily surmountable from here, with $150 million being a solid preliminary target. Fanciful returns for the studio, who have kept the budgets for the partly-animated “Hop” and the fully animated “Despicable Me” well under the industry-standard $100 million.

16 Time-Travel Movies Worth Your....Time

  • By The Playlist Staff
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  • April 1, 2011 6:43 AM
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  • 9 Comments
Source Code
Greetings, Playlist reader in the year 2011! In your time, time travel is the stuff of science fiction, but in the year 2086, it's becoming increasingly prevalent, and thanks to the recent purchase of The Playlist by The Dog With The Brain Of Arianna Huffington, we were able to obtain the technology to send this feature back to you, to commemorate the release of Duncan Jones' now-seminal mind-bending thriller "Source Code."

In Theaters: 'Hop' Will Try To Deprogram 'Source Code' & Scare Away 'Insidious'

  • By Katie Walsh
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  • April 1, 2011 5:51 AM
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  • 0 Comments
TGIF! With a crop of new releases we are finally, FINALLY released from our bonds requiring us to flagellate poor "Sucker Punch" to death. Why were you a failure, "Sucker Punch"? Was it the marketing/storytelling/CGI/demographics/Zack Snyder?! Do we have to worry about "Superman"/girls/original source material??? We may never know. Moving on! We've got a new futuristic sci-fi, based-on-an-original-script, helmed-by-a-hot-new-piece-of-director-ass film to fret over! That's right, it's "Source Code" from Duncan Jones! In the other corner, we've got the ace-in-the-hole, aimed squarely at the kid demographic, "Hop," and quivering outside the wide release ring is horror thriller "Insidious" from "Saw"-originator James Wan. It's gonna be an interesting box office report this week!

Jake Gyllenhaal Says There's A 'Source Code' Alternate Ending We May See On The DVD & More

  • By Edward Davis
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  • April 1, 2011 4:31 AM
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  • 2 Comments
9 More Revelations From Michelle Monaghan, Vera Farmiga & The Film's Burgeoning Action StarDuncan Jones' suspense-filled sci-fi-ish time-twister, "Source Code," starring Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga and Jeffrey Wright, isn't particular hard to follow, but if you haven't seen the film, you might not quite understand the conceit yet. Essentially it's like "Groundhog's Day" only set within the framework a sci-fi thriller. In the film (and all of this is taken from the official Apple trailer synopsis, so do not cry spoilers, please) decorated soldier Captain Colter Stevens (Jake Gyllenhaal) wakes up in the body of an unknown man and he discovers he's part of a mission to find the bomber of a Chicago commuter train.

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