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5 Directors We Want To See Tackle 'True Detective' Season 2

  • By Oliver Lyttelton
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  • March 11, 2014 1:20 PM
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  • 61 Comments
True Detective
Well, the most-talked about TV drama since "Breaking Bad" is done for the moment, with the eighth episode of "True Detective" airing on HBO Sunday night, providing closure on the Yellow King and the spread of the conspiracy (catch up with our recap of the final part here). For the last couple of months, the internet has been abuzz with theories, arguments and think-pieces: whatever you think of Nic Pizzolatto's show, there's no denying that it provided an awful lot to chew on.

2013: The Year In Quotes

  • By Jessica Kiang
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  • January 9, 2014 2:23 PM
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  • 4 Comments
The Best Quotes of 2013
2013, we’re not quite done with you yet. To close off our coverage of the year gone by, we wanted to hand over the mic to the actors, directors and other film professionals who made waves, headlines, faux pas, announcements, pronouncements or funny gags throughout the year. And we’re changing up the format this time out, scouring the whole internet and not just our own archives for these little nuggets, mainly because we’re fairly sure you’ve all avidly consumed, and committed to memory every word of each of the 200-odd interviews we ran in 2013, and we’d be preaching to the choir.

10 Notable Filmmakers Who Work In Both Documentary & Fiction

  • By The Playlist Staff
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  • November 7, 2013 1:31 PM
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  • 9 Comments
10 Filmmakers Who Work In Documentary And Fiction
Truth may or may not be stranger than fiction, but both impulses certainly exert a powerful pull on the filmmaking instinct. With so many established narrative directors over the years turning their hand to documentaries, whether it’s “making of,” band documentaries, or passion projects that they use to create greater awareness of the issues that are closest to their hearts, it’s a well-trodden path. And while they’re treading that path, they get to wave at the men and women coming in the opposite direction: documentarians make the crossover into narrative just as frequently. This week’s release of “How I Live Now” (our review is here) from Kevin Macdonald is another example of how, for some directors, the dividing line between fiction and non-fiction is one they can criss-cross time and again throughout their careers—it’s a fiction film, but Macdonald’s been alternating between the formats evenly for the last decade or so.

The Playlist's 10 Most Anticipated Films Of The Venice Film Festival

  • By Oliver Lyttelton
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  • August 27, 2012 11:55 AM
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  • 3 Comments
Superhero movies be damned, festival season is underway. Indeed, by the time you read this, this writer will be winging his way to (hopefully) sunny Italy to spend ten days or so resolutely avoiding getting anything like a tan at the 69th Venice Film Festival. The first under the new leadership of Alberto Barbera, it's lived up to his promise of being a less glitzy, more sober take, with no major studio fare to be found, and a line up that emphasizes international auteurs over the American and British filmmakers who dominated line-ups in previous years.

Rooney Mara Passes On Spike Lee's Remake Of Park Chan-Wook's 'Oldboy'

  • By Simon Dang
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  • October 20, 2011 1:45 AM
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  • 6 Comments
An actor passing on a project is generally a bit of a non-story but it's a testament to how far Rooney Mara has come that we're bringing this news to you.

Arnold Schwarzenegger Could Have Played Max Schmeling In Spike Lee's Unproduced Joe Louis Biopic

  • By Gabe Toro
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  • September 13, 2011 6:24 AM
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  • 3 Comments
And More We Learned From Lee & The Commemorative Screening Of '25th Hour' At New York's Film Society of Lincoln CenterOn September 11th, the Walter Reade Theater in New York City hosted a special screening of “25th Hour.” Still as alive and vital as it was upon its release nine years ago, the film serves as a historical landmark as the first picture to shoot in New York City following the 9/11 attacks (we ranked it very high on our list of best films of 2002 when we did our decade wrap-up in 2010).

As 'The Dark Tower' Crumbles, Here Are 10 Dead Projects In Search Of Resurrection

  • By Gabe Toro
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  • July 21, 2011 3:56 AM
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  • 3 Comments
One of the more ambitious projects in recent memory, "The Dark Tower," was canceled earlier this week by Universal Pictures. It's not a surprise, as the studio also recently put the kibosh on a $150 million-budgeted R-rated take on "At the Mountains of Madness" by Guillermo del Toro and Ron Howard, and Akiva Goldsman's multi-platform, multi-film Stephen King adaptation was arguably more risky and definitely much more expensive. We here at The Playlist root for movies to be good, but we mostly root for movies to be made, for a director to complete their vision and for it to have a chance to reach an audience and possibly become a part of the popular culture.

It's Official: 'Oldboy' Is Now A Spike Lee Joint

  • By Kevin Jagernauth
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  • July 11, 2011 6:52 AM
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  • 16 Comments
It's been one helluva day for Spike Lee news. In case you missed it this morning, word hit that the writer/director was reprising his role as Mookie from "Do The Right Thing" in a new, totally under the radar project called "Red Hook Summer." But it looks like the big, blockbuster project Lee was linked to last week is now official.

Spike Lee Reprises His Role As Mookie From 'Do The Right Thing' In New Film 'Red Hook Summer'

  • By Kevin Jagernauth
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  • July 11, 2011 3:15 AM
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  • 3 Comments
"Wake Up. I been up since 430am. On the way to the set of THE NEW SPIKE LEE JOINT.Today is 1st Day of Shooting.Awwwwwwwwwwww Sheeeeeeeeeeeeet," Spike Lee tweeted very, very early this morning. And while it was only last week that Lee talked with The Hollywood Reporter about his inability to get funding for a new feature film, it looks like very chatty director had something hidden up his sleeve.

Has Spike Lee Been Released From Director's Jail...For The 'Oldboy' Remake?

  • By Oliver Lyttelton
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  • July 6, 2011 12:57 PM
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  • 8 Comments
All in all, Spike Lee is one of our favorite working filmmakers, and really, how could the man behind "She's Gotta Have It," "Do The Right Thing," "Malcolm X" and "25th Hour" not be? But he's also extremely inconsistent, and the critical and commercial failure of his last picture, the WW2 drama "Miracle At St. Anna," have made things trickier for the director: over the weekend, he told The Hollywood Reporter that he hasn't been able to get financing for any of his films in three years, even a sequel to his biggest hit, the starry thriller "Inside Man."

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