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Fox Reportedly Cut 20 Minutes From Park Chan-Wook's 'Stoker' & Bong Joon-Ho Talks Next Projects

  • By Kevin Jagernauth
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  • June 20, 2014 5:41 PM
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  • 11 Comments
As we noted in our feature 5 Great & 5 Disappointing English-Language Debuts By Foreign-Language Directors, when filmmakers from abroad come to Hollywood, the results can be a mixed bag. And that is sometimes down to the vastly different way things work in the industry stateside. "The main difference I noticed was, was how short the pre-production and production was in the United States, whereas the post was much longer in Korea," "Stoker" director Park Chan-Wook told us in 2013. "If you would ask me what my ideal process is, I would say, long pre-production, long production and long post-production." And while his American debut made it to cinemas without much drama (except from critics who were split on the pic), it would seem behind the scenes there were a few more problems.

The Most Memorable Movie Moments Of 2013

  • By The Playlist Staff
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  • December 24, 2013 12:40 PM
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  • 23 Comments
The Most Memorable Movie Moments 2013
Can you feel it? The end of 2013 is hurtling toward us like a stampeding rhino. And as our year-end wind down is winding down, we're letting ourselves off the leash a little and assembling this unwieldy monster—an unashamedly scrappy and random list of The Most Memorable Movie Moments of the Year aka Every Damn Thing That We Couldn't Find Anywhere Else to Talk About. Those of you who like a little more formal rigor in your year-in-review programming may wish to check out Best Shots, or Best Music Moments, or Best Documentaries, or Best Soundtracks, or Best Scores or Action Sequences, Child Performances, TV Episodes, Worst Films… or really any of our other 2013 wrap-up features (just hit our "Best of 2013" tag) all of which were put together with about 83% more discipline than this one.

Paper Magazine Critic Goes Contrarian, Names ‘12 Years A Slave’ Worst Film Of 2013

  • By Charlie Schmidlin
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  • December 18, 2013 10:21 AM
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  • 14 Comments
12 Years A Slave
While we’re mostly celebratory around these parts, a considerable aspect of our year-end cinematic reflections has been dredging up those unspeakable films long since forgotten for one final verdict—think “Violet and Daisy,” “I Give It A Year," or “The Big Wedding." We compiled our 20 favorite abominations here, but elsewhere head film critic of Paper Magazine Dennis Dermody has aimed for more awards-centric fare with his list, and ended up with director Steve McQueen’s work in his sights.

'Gravity,' 'Captain Phillips,' 'Iron Man 3' & More Make Empire Magazine's Top 10 Of 2013

  • By Kevin Jagernauth
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  • December 2, 2013 10:14 AM
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  • 6 Comments
Well, the cinephiles at Cahiers Du Cinema and Sight & Sound have had their say on 2013, now how about something for everyone else? Leaning much more toward the mainstream, the folks over at Empire have kicked off December with their list of the greatest from the past twelve months and it's pretty safe to say that there are definitely a couple of movies on here that likely won't be found anywhere else.

Podcast: The Playlist Talks Terrence Malick's 'To The Wonder' & The Potential Dangers Of Auteur Worship

  • By Erik McClanahan
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  • April 16, 2013 2:41 PM
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  • 20 Comments
To The Wonder, Ben Affleck Rachel McAdams
...and the podcast is back. On this latest episode, host (yours truly) and contributor Erik McClanahan is joined by editor-in-chief Rodrigo Perez, managing editor Kevin Jagernauth and contributor Cory Everett for an in depth conversation about Terrence Malick and his latest film"To the Wonder," and the idea of auteur worship in cinephile/critical circles (also known as vulgar auteurism).

Park Chan-wook Talks Differences Between Korean & American Films, How 'Stoker' Fits In With His Filmography & More

  • By Drew Taylor
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  • March 19, 2013 7:00 PM
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  • 0 Comments
If there is one movie that has caused unending debate around The Playlist water-cooler, it's Park Chan-wook's English-language debut "Stoker." First screened at Sundance and making its slow creep across the country now, it's a twisty, unerringly perverse riff on Alfred Hitchcock's "Shadow of a Doubt," wherein a mysterious Uncle Charlie (Matthew Goode) comes to visit his long lost family following his brother's equally mysterious demise. Mia Wasikowska plays the young daughter of the deceased, and an admirably batty Nicole Kidman is the new widow. We got to sit down with director Park and discuss what made "Stoker" so appealing as his first English language movie, how he decided on the composers for the film, and where the film fits in with his filmography.

What Are You Seeing This Weekend? '21 And Over,' 'Jack The Giant Slayer' & 'The Last Exorcism' Lead The Charge

  • By Emma Bernstein
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  • March 1, 2013 4:58 PM
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  • 0 Comments
In Theaters: Jack The Giant Killer, 21 And Over, The Last Exorcism Part II,
Lots to look at this week! Unfortunately, the big studio pictures are a bit disappointing, featuring well-worn stories that aren't particularly innovative or entertaining. Popular critical opinion recommends ordering "The Hangover" or "Das Boot" from Netflix rather than paying for the direct descendants playing on the big screen. Lucky for multiplex owners, the institution of public film exhibition and us, a handful of international films, documentaries, and American independent pictures pick up the slack. So -- in the ongoing battle between the private DVD player and the theater projector -- what will it be: the couch or the cinema? Let us know in the comments below!

10 Films Worth Tracking Down In Theaters In March

  • By Oliver Lyttelton
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  • March 1, 2013 2:54 PM
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  • 7 Comments
It's been a long, dark couple of months at the start of 2013, with not all that much that's been worth seeing, bar a few bright spots like "Side Effects" and "No." But as the days start to get sunnier and warmer (we hope so, at least, or we're going to jump off something tall fairly soon), the prospects at movie theaters are improving a bit too.

Review: Silly & Cartoonish 'Stoker' Is A Garish Misfire For Park Chan-Wook

  • By Rodrigo Perez
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  • February 28, 2013 7:20 PM
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  • 14 Comments
One could argue there's nothing subtle about the movies made by South Korean filmmaker Park Chan-wook, the director behind "Oldboy," including the celebrated 'Vengeance Trilogy' and the loopy vampire movie, "Thirst." Violence reigns in his films, cameras pirouette like self-conscious characters in his ensemble, and style is king. But in the past, especially in "Oldboy" and "Sympathy For Lady Vengeance," his penchant for the outrageous and over-the-top always included sublime, comically brutal and sometimes even emotionally devastating conclusions that could leave the jaw agape. Style was always in service of a story and characters.

Director Park Chan-Wook Says Another English-Language Picture In The Works, 'Snowpiercer' Almost Finished & Talks His Dream Genres

  • By Drew Taylor
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  • February 28, 2013 12:32 PM
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  • 0 Comments
While chatting with "Oldboy" director Park Chan-Wook about his upcoming, absolutely insane new thriller "Stoker" -- which I personally loved despite our review -- I had to ask him what was next. After becoming an established force in the South Korean film industry with his idiosyncratic, stylish genre films, lauded 'Vengeance' trilogy, and now making (incredibly weird) inroads in America, we were curious as to where his career was headed next. As it turns out, while he doesn't have his next project totally lined up, he did reveal that he has another American, English-Language feature in the works.

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