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Venice 2013: Our 5 Favorite Films Of The Festival, Plus Our Complete Coverage

  • By Oliver Lyttelton
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  • September 9, 2013 12:55 PM
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  • 1 Comment
It's farewell for another year to mosquitos, vaporettos and incomprehensibly rude Italian film critics who insist on checking their email mid-screening, because the 70th Venice Film Festival wrapped up on Saturday. For a festival that had seen quite a few twists and turns, it felt appropriate that it ended with Bernardo Bertolucci pulling a few surprises, shunning the more lauded films in the line-up to bestow the Golden Lion on "Sacro GRA," the first Italian film to win the top prize in fifteen years and the first documentary to ever manage the feat.

Venice Review: Tsai Ming-Liang's 'Stray Dogs'

  • By Oliver Lyttelton
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  • September 6, 2013 11:58 AM
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  • 4 Comments
Tsai Ming-Liang's 'Stray Dogs'
In a festival that's seen a number of endurance tests—Philip Groning's three-hour, 59-chapter "The Police Officer's Wife," the abstracted imagery of "Under The Skin," the brief but unrelentingly terrible duration of "Parkland," no film seemed to inspire more walk outs than "Stray Dogs." The return of acclaimed Taiwanese director Tsai Ming-Liang after a 4-year absence (and longer since he made a film at home: 2009's "Play" mostly featured French actors), it's not that it’s particularly lengthy, or particularly provocative in its content.

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