The Playlist

10 Breakout Filmmakers & Performers From The 2012 Sundance Film Festival

  • By Oliver Lyttelton
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  • January 31, 2012 12:28 PM
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  • 6 Comments
One of the major benefits of Sundance has always been the new talent it's unleashed on the world. From Quentin Tarantino and Kevin Smith in the festival's heyday to more recent discoveries like Carey Mulligan, Jennifer Lawrence, Cary Fukunaga and Drake Doremus, the film world shifts ever so slightly each January as burgeoning filmmakers make their mark on the industry.

Sundance: FilmDistrict Take Rights To 'Safety Not Guaranteed,' Magnolia Buy 'Compliance,' 'Nobody Walks,' '2 Days In New York'

  • By Joe Cunningham
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  • January 30, 2012 11:40 AM
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  • 2 Comments
Sundance may be over for another year, but as Gordon Gekko mercilessly taught us: money never sleeps. So even though Park City has born witness to their annual mass exodus, there are still some films hanging around waiting to be bought and we have news of six films that have snagged distribution deals.

'Beasts Of The Southern Wild' Tops The 2012 Sundance Film Festival Awards

  • By The Playlist
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  • January 29, 2012 12:53 PM
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  • 3 Comments
It was a fait accompli pretty much from minute one. No other film at the 2012 Sundance Film Festival got as much buzz as 29-year-old first-time feature-length filmmaker Benh Zeitlin's "Beasts Of The Southern Wild," a mythical film about a 6-year-old girl who lives in a southern Delta community at the edge of the world (read our review here). And so it was no surprise that the film won the jury prize for best drama (and cinematography) at last night's Sundance awards ceremony.

Sundance Review: 'Save The Date' Is Light & Endearing Without Being Insubstantial; What Other Rom-Coms Should Aspire To

  • By Cory Everett
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  • January 28, 2012 3:12 PM
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  • 1 Comment
With the countless number of romantic comedies focused on how difficult it is for a woman to find a good man, it’s incredibly refreshing to see one where the tables are turned. In “Save The Date,” Lizzy Caplan stars as Sarah, a struggling illustrator who keeps herself afloat by managing a local book store.

Director Nicholas Jarecki Reveals How Being Kicked Off 'The Informers' Helped Fund Sundance Hit 'Arbitrage' & Casting Brit Marling Over Skype

  • By John Lichman
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  • January 27, 2012 11:01 AM
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  • 0 Comments
Last year at Sundance, “Margin Call” premiered to an unprepared audience who were greeted by a fantastic ensemble in a gripping drama that gave an insight to the 2008 financial crisis and resulting recession. That film went on to become something of a sleeper hit, and last week, picked up an Oscar nomination for Best Original Screenplay, but there's certainly much more to be said about the subject matter.

"It's Going To Be Boring": Zoe Saldana Tells Lies About 'Star Trek 2' & Talks Drama 'The Words' At Sundance

  • By John Lichman
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  • January 27, 2012 10:01 AM
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  • 0 Comments
Two hours after Zoe Saldana wrapped for the day on the set of J.J. Abrams' upcoming “Star Trek” sequel, she arrived in Park City, where her film “The Words” premieres at the Sundance Film Festival. It's a neat little microcosm for her career, which has seen in seemingly constant employment in the last few years, varying from little indie pictures to, well, the most successful film of all time, "Avatar."

Sundance: Director Antonio Campos & Stars Of 'Simon Killer' Talk Sociopaths, Sex & Soundtrack To The Film

  • By Oliver Lyttelton
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  • January 26, 2012 2:56 PM
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  • 2 Comments
This time last year, "Martha Marcy May Marlene" was the toast of Sundance, an impossibly tense drama that, even by the end of 2011, still stood tall as one of the year's best films. Last January, "Afterschool" helmer Antonio Campos was in Park City in his capacity as a producer (he's one third of Borderline Films along with 'Martha Marcy' director Sean Durkin and Josh Mond), but twelve months later, he's back as director, with another intense character study, "Simon Killer."

James Murphy & 'Shut Up And Play The Hits' Filmmakers Say Full 4 Hour Madison Square Concert Will See The Light Of Day

  • By Oliver Lyttelton
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  • January 26, 2012 12:01 PM
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  • 1 Comment
We can't remember the last time a concert movie caused quite as much excitement as "Shut Up And Play The Hits." But given that the film is a document of the final gig of James Murphy's LCD Soundsystem, one of the most acclaimed bands of the last decade, it's easy to understand. Despite reaching a point where they were more successful than ever before, the dance-punk-glam-rock group, Murphy decided to call it a day while still on top, breaking up the band after two sold-out gigs at Madison Square Garden last April.

Sundance: Buzz Films 'Arbitrage,' 'Liberal Arts,' 'Robot & Frank' & 'V/H/S' All Find Distribution

  • By Oliver Lyttelton
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  • January 26, 2012 10:40 AM
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  • 0 Comments
As ever, Park City is quieting down again, with many journalists heading home after a week of Sundance madness. We've still got plenty of coverage to come, don't get us wrong, but as is so often the case with festivals, things tend to be a little front-loaded. Except, that is, on the business end; now that most films have unspooled, the acquisitions folk are ready to start handing out the checks. We've already seen a few big sales: Fox Searchlight took two of the best-reviewed films of the festival, "The Surrogate" and "Beasts Of The Southern Wild," while "For A Good Time Call," "Lay The Favorite," "Black Rock," "Celeste and Jesse Forever" and "Red Lights," among others, have all found homes.

So Yong Kim Discusses Her Collaboration With Paul Dano & Battling The Freezing Winter In 'For Ellen'

  • By Oliver Lyttelton
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  • January 25, 2012 4:00 PM
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  • 1 Comment
Thanks to her previous films "In Between Days" and "Treeless Mountain," and a none-more-indie cast featuring Paul Dano and Jena Malone, So Yong Kim's latest "For Ellen" had to be one of the most anticipated films of Sundance, at least in certain circles.

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