The Playlist

Watch: 2 Clips From Sundance Film 'Austenland' Starring Keri Russell

  • By Ken Guidry
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  • January 24, 2013 12:21 PM
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  • 1 Comment
Naturally, as the Sundance Film Festival continues to unfold in Park City, Utah, more clips and trailers from films featured in the festival are being released this week. This time around, we’ve got two clips from “Austenland,” which debuted last week, showcasing the film’s quirky, offbeat charm. You also get a pretty good taste of some of the cast, which includes Keri Russell, Jennifer Coolidge and "Flight of the Conchords" star Bret McKenzie.

Sundance Interview: 'Breathe In' Director Drake Doremus Talks Dark Romance, Working With Felicity Jones Again & More

  • By Edward Davis
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  • January 23, 2013 4:19 PM
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  • 1 Comment
Drake Doremus was at Slamdance and Sundance in 2009 and 2010 with "Spooner" and "Douchebag" respectively, but the indie filmmaker started to really connect on a grander scale when he started tackling relationships, crystallized with 2011's moving and award-winning "Like Crazy." A big smash at Sundance that year, it won the Grand Jury Prize for Best Dramatic Film and introduced the world at large to brilliant English actress Felicity Jones (she won a Special Jury Prize for her moving performance in the lead role).

Sundance: Magnolia Picks David Gordon Green's 'Prince Avalanche' With Paul Rudd & Emile Hirsch

  • By Kevin Jagernauth
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  • January 23, 2013 1:35 PM
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  • 2 Comments
When it was first announced last summer that David Gordon Green had gone ahead a shot a movie in secret with Paul Rudd and Emile Hirsch, we didn't know what to think. A remake of the Icelandic film "Either Way" which nobody (who isn't in Iceland) had really seen anyway, the question was whether or not it was going to be another comic goof, or perhaps something closer to the mood and tone of his earlier work. Well, it turns out its both of those things.

Sundance Interview: Joseph Gordon-Levitt, Julianne Moore & Tony Danza Talk Porn & The Sexy 'Don Jon's Addiction'

  • By Chase Whale
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  • January 23, 2013 12:20 PM
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  • 0 Comments
Porn. Masturbation. Scarlett Johansson acting sexier than ever. A pot-smoking Julianne Moore. Tony Fucking Danza. Sex. Sex. Sex. Everything you’ve always wanted in the directorial debut of Boy Wonder Joseph Gordon-Levitt is here, and it’s called "Don Jon’s Addiction."

Sundance: Sony Pictures Classics Book 'Kill Your Darlings,' The Weinstein Company Bed 'Lovelace' & More

  • By Cain Rodriguez
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  • January 23, 2013 9:44 AM
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  • 0 Comments
With the Sundance Film Festival heading into its last stretch, buyers are beginning to get deals made before Park City once again becomes a quaint little village in Utah, and a number of contracts have been signed over the past twenty-four hours....

Sundance Review: 'The Way, Way Back' A Familiar But Crowd Pleasing Coming-Of-Age Tale From Co-Writers Of 'The Descendants'

  • By Cory Everett
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  • January 22, 2013 11:03 AM
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  • 1 Comment
Back in 2012, “The Descendants” took home the Oscar for Best Adapted Screenplay, and most people were probably surprised to see Alexander Payne (a previous winner for “Sideways” and nominee for “Election”) flanked by Dean Pelton from “Community” and that dude from “Club Dredd.” For the first time in Payne’s career he had not collaborated with his usual co-writer Jim Taylor, but instead rewritten a previously existing screenplay by the aforementioned Jim Rash and Nat Faxon (which was in itself an adaptation of a novel).

Sundance Review: 'The Necessary Death of Charlie Countryman' Plays Like An Overwrought & Dated Music Video

  • By Rodrigo Perez
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  • January 22, 2013 8:00 AM
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  • 6 Comments
"The Necessary Death of Charlie Countryman" opens up with an arresting image, the titular character (played by Shia LaBeouf) dangling upside down in woozy slow-motion, his face brutally beaten and bloody. As the narrator (John Hurt) explains, Charlie Countryman is languishing in the wind about to be shot by a red-headed girl, and that the young man had to die. And he did it all for love.

Sundance Review: ‘Narco Cultura’ Is A Disturbing Look At The Mexican War On Drugs & The Idolatry Within

  • By Rodrigo Perez
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  • January 21, 2013 11:29 PM
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  • 2 Comments
Since 2006, when the War on Drugs was officially declared in Mexico -- a joint operation by Federal Police and the Mexican military known as Operation Michoacan -- approximately 60,000 known murders have been recorded. At the epicenter of the major narcotics trafficking and drug cartels that ravage Mexico is the city of Juarez. Its murder rate has absolutely skyrocketed -- 4,500 people have been killed since 2006 making it the homicide capital of the world, and just across the border is El Paso, Texas, named one of the safest cities in the United States. This juxtaposition is staggering, and the impetus for the film.

Sundance Review: Shane Carruth's Beguilingly Enigmatic 'Upstream Color' May Cause Disorienting Side Effects, Results Will Vary

  • By Rodrigo Perez
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  • January 21, 2013 6:50 PM
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  • 11 Comments
Nine years ago, autodidact filmmaker Shane Carruth burst onto the indie scene with the abstruse and complex sci-fi thriller "Primer," which made him a Sundance darling in 2004 when it won the Grand Jury Prize and went on to become a cult hit. The polymath writer, director, actor, musician, editor, producer, et al. stayed mostly quiet during this time, working fruitlessly on a still-unproduced film called "A Topiary" and helping out Rian Johnson with the time-travel sequences in "Looper."

True Life Drama 'Fruitvale' Is The Weinstein Company's First Buy At Sundance

  • By Kevin Jagernauth
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  • January 21, 2013 5:17 PM
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  • 3 Comments
When Harvey Weinstein makes a move, people pay attention. And while he only landed in Park City yesterday, it didn't take long for him for him to make his first buy.

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    RT @ThePlaylist: Watch A New Clip Of Marion Cotillard & Joaquin Phoenix In 'The Immigrant,' Plus James Gray Talks The Film's Look... http://t.co/HczDQ5NWc2

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    RT @ThePlaylist: "Only God Forgives" has a pretty powerful subtext/theme running through that builds toward the end. More than meets the eye. (KJ)

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    RT @ThePlaylist: "Only God Forgives" has a pretty powerful subtext/theme running through that builds toward the end. More than meets the eye. (KJ)

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    RT @ThePlaylist: "Only God Forgives" has a pretty powerful subtext/theme running through that builds toward the end. More than meets the eye. (KJ)

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