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The Playlist

16 Musicians-Turned-Film Composers And Their Breakout Scores

  • By Charlie Schmidlin
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  • June 9, 2014 4:56 PM
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Musicians Turned Composers
Increasingly over the last two decades, musicians and bands have looked upon the film score and seen a rare opportunity to challenge themselves in a new medium, and also to gain a break from non-stop touring. The results have been an eclectic, unconventional bounty. Last month, Mica Levi of Micachu and the Shapes delivered an iconic three-note theme to Jonathan Glazer’s “Under The Skin” that rattled the senses, while Devonte Hynes (Lightspeed Champion, Blood Orange) struck a dreamy pop tone of high-school nostalgia with his score to Gia Coppola’s directorial debut, “Palo Alto.”

BAMCinematek Celebrates Tangerine Dream: We Pick Their 5 Best Soundtrack Scores

  • By Edward Davis
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  • June 5, 2012 6:28 PM
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As the New York Times so aptly observed this weekend, eerie '80s synths score are synonymous with the German experimental electronic music group Tangerine Dream. And yet, the group and their sinister and moody, but anonymous modulations, we're never celebrated as loudly in that era (or since) compared to the works of other '80s synth-heavy composers like Harold Faltermeyer ("Top Gun," "Fletch," "Beverley Hills Cop"), John Carpenter ("Escape from New York," "The Thing") and Vangelis ("Chariots of Fire," "Blade Runner").

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