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The Playlist

In Theaters: Sneak Some 'Contraband' Into 'Beauty And The Beast 3D' Or Make Some 'Joyful Noise' About 'We Need To Talk About Kevin'

  • By Katie Walsh
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  • January 13, 2012 3:14 PM
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  • 1 Comment
Hello chickadees, once again we have another weekend of random January releases so that we may have some time to catch up on our awards contenders. Time is running out! The Golden Globes are THIS VERY WEEKEND. Who will be the drunkest?? Probably some country singer with a best song nominee (never forget, T-Bone Burnett). So the studios are throwing us a bone and not releasing anything worth our time and effort. I will be liveblogging the Globes action, so won't you please come back on Sunday night and join our party?

Review: Xavier Gens' 'The Divide' Is Silly, Clichéd Apocalyptic Trash

  • By Drew Taylor
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  • January 12, 2012 7:01 PM
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  • 0 Comments
It seemed, to us at least, that there was a strangely apocalyptic cloud that was cast over many of the SXSW film festival selections in 2011 – things like "Bellflower" all the way up to "Attack the Block" had a definite "end of days" feel. "The Divide" might have been the one movie to attack the material with the most heads-on gusto, however, with the opening scene bringing New York City to waste with a hail of comet-like missiles. It's a striking image, for sure, but there's not much that equals it in the movie's labored, two-hour running time, either in terms of visual sophistication or crafting a sense of apocalyptic gloom. Instead, you'll be wondering why everything's so over-lit after the world's ended and why anyone would behave the way the characters do.

SXSW Review: Xavier Gens' 'The Divide' Is Silly, Clichéd Apocalyptic Trash

  • By Drew Taylor
  • |
  • March 21, 2011 5:34 AM
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  • 2 Comments
It seemed, to us at least, that there was a strangely apocalyptic cloud that was cast over many of the SXSW film festival selections – things like "Bellflower" all the way up to "Attack the Block" had a definite "end of days" feel. "The Divide" might have been the one movie to attack the material with the most heads-on gusto, with the movie opening with a hail of comet-like missiles laying waste to New York City. It's a striking image, for sure, but there's not much that equals it in the movie's labored, two-hour running time, either in terms of visual sophistication or crafting a sense of apocalyptic gloom. Instead, you'll be wondering why everything's so over-lit after the world's ended and why anyone would behave the way the characters do.

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