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Exclusive: Listen To 4 Concierge Character Playlists From Wes Anderson's 'The Grand Budapest Hotel'

  • By Kevin Jagernauth
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  • March 28, 2014 11:44 AM
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  • 0 Comments
The Grand Budapest Hotel
While Ralph Fiennes' M. Gustave leads the way in Wes Anderson's utterly delightful "The Grand Budapest Hotel" as the concierge against which all others are measured, one of the many pleasures of the movie is discovering that he's not alone in ensuring the highest standards of his profession are met. As M. Gustave untangles himself from a conspiracy involving murder and a prized artwork, he has to call upon his colleagues—part of The Society Of The Crossed Keys—for their assistance. With those associates played by the likes of Bill Murray, Jason Schwartzman and Owen Wilson, it makes for some truly good fun in an already screwball journey.

Box-Office: It's No 'Hunger Games,' But ‘Divergent’ Kicks Off Its Sci-Fi YA Franchise With A Healthy Number 1 Slot

  • By Rodrigo Perez
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  • March 23, 2014 12:02 PM
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  • 3 Comments
Divergent
To paraphrase a salient tweet from L.A. Times writer Ben Fritz, It’s no “Hunger Games” or “Twilight,” but with a solid $56.7 million opening, the sci-fi YA adaptation “Divergent” won’t be a “Vampire Academy” or “Mortal Instruments”-type flop either. And yes, they tend to come in those black and white terms so far: either a massive success or a bomb (though ‘Mortal Instruments’ seems like it may limp towards a sequel). But that’s all very relative.

Watch: Wes Anderson Breaks Down Scene From 'Budapest Hotel' Plus Crossed Keys Featurette & Symmetry Supercut

  • By Cain Rodriguez
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  • March 18, 2014 10:42 AM
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  • 0 Comments
The Grand Budapest Hotel
With only 66 screens to call its own, Wes Anderson’s 1930s-set “The Grand Budapest Hotel” landed in the eighth spot in the box office this past weekend for a solid $55K per screen average. To help broaden the audience of the period film as it expands nationwide over the coming weeks, a pair of featurettes have arrived online to show some familiar faces in the film.

From Dallas To Zubrowka: The Imagined Worlds of Wes Anderson

  • By Charlie Schmidlin
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  • March 17, 2014 3:34 PM
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  • 3 Comments
The Imagined Worlds of Wes Anderson
Books, architecture, costumes, and curio items: they fill the busy frames of Wes Anderson’s work (in collaboration with longtime DP Robert Yeoman and production designer Mark Friedberg), and in part serve to make the writer/director’s eight feature films and four shorts so rich, rewatchable, and increasingly successful with audiences. But as much as the emphasis on Anderson’s work tends toward the visual, it’s the way he uses his fictitious universes, details, and cast dynamics to support a human emotional base that elevates his films.

Slow Box-Office Finds ‘Mr. Peabody & Sherman’ In First Place; ‘Need For Speed’ Stalls In 3rd

  • By Rodrigo Perez
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  • March 16, 2014 1:09 PM
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  • 3 Comments
Need For Speed
Well, this was unexpected (that is if you’re not attentively looking at Friday and Saturday numbers with a sniper’s eyes). You might think, considering the success of “The Fast & Furious” series, that something similarly adrenaline-focused like the vroom-fast “Need For Speed” film would be critic-proof, and that audiences—who have to wait an extra year for a new ‘Fast & Furious’ film—might check into the junior series starring Aaron Paul. But it was not to be. While Disney was already projecting low (at least low for a would-be car franchise) $20 million numbers for “Need For Speed,” the film (which was roasted by critics; here’s our review) sputtered to the finish line with $17.8 million at the box office, stalling at the number 3 position for its opening weekend debut.

Watch: ‘Grand Budapest Hotel’ Short Teaches Pastry Steps, 36-Minute Q&A With Wes Anderson & More

  • By Charlie Schmidlin
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  • March 13, 2014 10:36 AM
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  • 0 Comments
The Grand Budapest Hotel
As the ornate narratives of Wes Anderson’s films threaten more and more to burst from the frame entirely, Fox Searchlight have since satisfied the need for deserved bonus content. “Hotel Chevalier” and the animated shorts from “Moonrise Kingdom” found different purposes when it came to referencing their feature counterparts, but a new short released with “The Grand Budapest Hotel” is delightful and informative in equal measure.

Watch: Wes Anderson Praises 'Wolf Of Wall Street' Plus Red Band 'Budapest Hotel' Trailer & More

  • By Cain Rodriguez
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  • March 11, 2014 9:05 AM
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  • 1 Comment
The Grand Budapest Hotel
It broke per-screen averages last weekend -- 9th all-time and 1st in limited release -- and with Wes Anderson’s delightful “The Grand Budapest Hotel” opening in more theaters at the end of this week, Fox Searchlight has released a couple of more trailers to move those tickets but not before Anderson has a thing or two to say about one of the more controversial films released last year.

Watch: New Clip, Featurette And 12-Minute Talk For 'Grand Budapest Hotel' Plus More Pics

  • By Kevin Jagernauth
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  • March 10, 2014 3:47 PM
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  • 0 Comments
The Grand Budapest Hotel
Wes Anderson's "The Grand Budapest Hotel" is off to a helluva start at the box office, opening this weekend in limited release and breaking a few records along the way. That's good news for Fox Searchlight as they prepare to roll out the cinematic confection across the country over the next few weeks, and to help keep 'Budapest' on the brain, a smattering of new material has arrived.

Box Office: ‘300: Rise Of An Empire’ Defends The Kingdom; 'Grand Budapest Hotel' Smashes Per-Screen Average Records

  • By Rodrigo Perez
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  • March 9, 2014 2:12 PM
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  • 5 Comments
300: Rise Of An Empire
It arrived much too late, some seven years after the fact. It was met with most middling reviews, and it featured no real stars to speak of. But that could not stop “300: Rise Of An Empire,” the slightly less-ripped, less-sweaty, otherwise pretty-much-the-same sequel from dominating the box office (our review here). The Warner Bros. sequel might not have been in vogue with the blogosphere, but the rest of the country was more than happy to attend.

Review: Wes Anderson's Beautiful & Melancholy 'The Grand Budapest Hotel'

  • By Jessica Kiang
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  • March 7, 2014 11:21 AM
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  • 1 Comment
The Grand Budapest Hotel
Love. There are points during “The Grand Budapest Hotel,” at which it simply floods off the screen. It sounds too lofty perhaps, but how else can you describe the level of minute care that seems to have gone into every single frame, every costume, every tear in every strip of wallpaper? If nothing else (and there is quite a lot else) the film is at times perhaps the apotheosis of Wes Anderson’s aesthetic: a glorious, mischievous sequence of pictorialist plays taking place in a world so perfectly contained it might as well be in a snowglobe. This trademark fetishistic detail makes it feel like it was somehow loved into being, and, for whole passages, we loved it right back, giddily grinning in the dark, already mentally marking out those moments when we’re going to have to hit pause to examine the background, the edge of the frame, the action that happens in the corner of your eye.

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