- By Jessica Kiang
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- April 25, 2013 3:48 PM
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- 34 Comments
30 years since its release, the undersung "The King of Comedy" seems finally to be edging into the sun, to take its deserved place as not just one of the finest, smartest and most daring Martin Scorsese movies, but one of the greatest American movie satires, period. It's an excoriating, often excruciating watch, boasting razor-sharp insights into the excesses of celebrity culture and the quest for fame, but it's also, most unforgettably, a character study of one Rupert Pupkin, delusional sociopath, shit-poor comedian and all-out creep. Pupkin, whom Robert De Niro doesn't so much inhabit as crawl into, is simply one of the most offputting creations ever committed to celluloid -- a dreadful squit of a man, talentless, self-aggrandizing, self-deceiving, pathetic -- and at the same time one of the most compelling.
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American's are too anal to accurately depict slavery, instead opting for hyper-exaggerated
Drew Taylor, I take umbrage with your characterization of "All-Star Superman" The
Lena's rhetoric is rather flawed, I think one can make similar comparisons between Northup and
@Lena. Are you trying to brush off slavery as a pointless subject just because you think it
Couldn't agree more about the dialogue...it was cringe-worthy. It completely disengaged me
That's some sexist stuff, dude. Did you just read the first point? (I wouldn't blame you
Absolutely right. Re-watch WALL-E and tell us that perfect motherfucker lacks texture.
This article has clearly been written by a woman. Much of it simply doesn't hold water.
Hail the Bale!
Damn, what is your problem? Is it SO OFFENSIVE that one person's tragedy were compared to